Detective Mercer knows Chicago has room for every kind of sin. Greed. Lust. Pride. The city wears them all under good suits and stained glass. But when bodies begin appearing in scenes arranged with religious iconography, Mercer understands he is not chasing an ordinary murderer. Each victim has been placed with purpose. Each scene echoes something older than crime itself. Each death points beyond the body to a message written in judgment. And at every scene, the same mark waits. VI As Mercer follows the clues through power, money, faith, and corruption, the question is no longer only who is killing. It is what the killer wants revealed. Because VI is not hiding from the police. VI is making them look.
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