Ulysses

By James Joyce

Book Overview

"Ulysses" is a monumental masterpiece of modernist literature that chronicles a single day in Dublin-June 16, 1904. James Joyce's sprawling narrative follows the experiences of Leopold Bloom as he traverses the city, engaging in the mundane and the profound. Parallel to Bloom's journey is that of Stephen Dedalus, a young intellectual seeking his place in the world, and the evocative, sensuous internal monologue of Bloom's wife, Molly.

The novel is celebrated for its radical formal experimentation, most notably its use of the stream-of-consciousness technique to capture the fleeting thoughts and complex inner lives of its characters. Each chapter employs a distinct literary style, mirroring the episodes of Homer's "Odyssey" and elevating the everyday events of Dublin life into a universal epic. Joyce explores themes of fatherhood, infidelity, nationalism, and the human condition with unparalleled linguistic virtuosity.

As one of the most influential works of the 20th century, "Ulysses" challenges the boundaries of language and narrative structure. It remains a cornerstone of literary modernism, inviting readers to immerse themselves in a rich tapestry of history, mythology, and the vivid reality of early 20th-century Ireland. This work stands as a testament to the power of the written word to transform the ordinary into the extraordinary.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

• Format: Hardcover
• Language: English
• ISBN: 1025256069
• ISBN13: 9781025256061
• Release Date: February 2026
• Publisher: Tradd Street Press
• Length: 742 Pages
• Weight: 2.66 lbs.
• Dimensions: 9.2" x 1.6" x 6.1"

Customer Reviews

Not what I consider Good condition!

My copy of Ulysses that I was told was in good condition arrived in 3 sections broken in half with the front cover also torn off. That doesn’t appear to be ‘good’ condition. I feel ripped off and that’s a first after purchasing many books from this site. Very disappointed.

"Very Good Condition" Was Misleading

I am really grateful to have this book, AND, so disappointed that "Very Good Condition" Means the front cover and the "International Collector's Library" have gashes on them. Not including damage to the edges of both the front and back cover corners, as well as both the top and bottom of the spine.

Five Star with a Warning: Let the Reader Beware [1][6][9][17]

In this book, Joyce continually reminds his readers that this 265,000-word epic utilizing over 30,000 different words is more about his prowess, and sometimes less about your pleasure. As athletic feat is derived from hours of repetitive drills, so too may this novel's conquest only be enjoyed after years of reading ever improving literature. This is not a book for the amateur. Precisely the opposite, this is a book continually referring to other novels, uses language of greater expanse than most others, and is written in styles which make the complexities vastly increased. More puzzle maker than novelist, Joyce's decision to write in paradox, paradigm, pun, parody, contrarian, contradiction and more makes the reading experience as complete as one could ask in the English language. The array of writing styles is mesmerizing: simple novel; over 30 pages of newspaper column; a 180-page play; over 70 pages of questions followed by answers; and one final chapter made up of seemingly 30-40 pages in ONE sentence of rambling autobiographical sexual revelation by Molly Bloom - the protagonist's cavorting wife. The interplay of the styles is extremely brave and enlightening. As they touch upon the same topic, but in different voices and different styles, the reader can further delve into what transpired hundreds of pages before, when the writer intentionally did not reveal it all, and definitely did not reveal it in easily decipherable verse. The interrelation between the texts would allow one to probably read the chapters in different orders and end in the same frame of mind. Nabokov asserted one could do such to his "Lolita." And, Nabokov, creator of "Pale Fire", reminds me so much of Joyce as each toys with and teases the reader with puns, parodies and sometimes outdated jokes. The main characters, Leopold Bloom and Molly Bloom, are known to even those who have not read the novel. Their mutual philandering is the focus of much of the novel. The exploits of each are relatively revealed. But, not in black and white English. The point is taken, and from this came one great pornography trial which culminated with a 1933 United States District Court decision proclaiming, ". . . the effect of `Ulysses' on the reader undoubtedly is somewhat emetic, nowhere does it tend to be an aphrodisiac." Such words would not be clearer. "An exquisite dulcet epithalame of most mollification suadency for juveniles amatory whom the odoriferous flambeaus of the paranymphs have escorted to the quadrupedal proscenium of connubial communion." University level English is a prerequisite to understand this alleged smut - or to use Joyce's words: concupiscence delivering induration. And, most of the book, believe it or not, is not about sexual issues. Much touches upon other topics: philosophy, anti-Semitism, socialism . . . . But it is not always condescending; and it is much more than a 700-800-pages of dialectic prose. Because some of those topics are ext

Ulysses

On June 16th, 1904, a young James Joyce met his future wife for the first time. Ten years later, in 1914, he began what would become one of the greatest epics of modern language, Ulysses, setting the entirety of the events within that one special day shared by him and his wife, offering it to the world in an alternately joyous and tragic, comical and dense tribute to life and to living.The story cannot be summarised without reciting the book itself, an exercise that goes beyond the scope of this review. Suffice to say that the novel follows Leopold Bloom as he makes his way about Dublin, and Stephen Dedalus as he wanders from place to place. The two eventually meet, and the book finishes. Then again, that description is like saying Moby Dick is about a whale and Gravity's Rainbow is about a rocket. Technically true, but how much detail and texture do you miss with such a soul-less description?Ulysses has since grown beyond itself, garnering a reputation that scares away most readers. Considered an 'ivory tower' book, a 'professor's dream', it should be admitted that there are very difficult sections. Whole chapters - most of which are quite long - can be extremely tedious to read, becoming bogged down in medical or legal terms which serve mostly to confuse and distract the reader. But then there are chapters of amazing insight, clarity, wisdom and skill - thankfully more than there are difficult. The Cyclops chapter is sheer genius, a 120-page play that moves from bizarre to hilarious to sublime and back again. By itself, it is almost worth the price of admission, but there are many more that are just as amazing. The question and answer chapter of Ithaca is sheer genius, and Molly's monologue, right at the end, while texturally dense, flows and runs like a river.The language used ranges from flowery to technical to simplistic to overly complicated to deliberately obscure to beautiful. 'Wavewhite wedded words shimmering on the dim tide' is beautiful, whereas 'What selfinvolved enigma did Bloom risen, going, gathering multicoloured multiform multitudinous garments, voluntarily apprehending, not comprehend?' is difficult. Of course, there is always the famous 'The heaventree of stars hung with humid nightblue fruit', quite possibly one of the most gorgeous sentences written by man.Another interesting technique Joyce uses is his willingness to deny the luxury of perfect sentence structure or grammar to better convey the mood of the characters, or to greater achieve those wonderful sentences. He merges words, removes words, adds words, mirrors sentences within themselves, juxtaposes letters, words, paragraphs, all in an effort to create passages of absolute delight. Tens of pages will fly by, each one filled with wit, insight, beauty, depth. At times, it is safer to simply let go and trust that Joyce knows what he is doing, that you will be taken where you should go.However. This book can be very difficult, as I said above. Fifty pages of dense, verbo