U2 -- The Best of Propaganda: 20 Years of the Official U2 Magazine

by Ian Gittins

Book Overview

Started in the band's very earliest days, from 1986 until the year 2000, Propaganda was the only official U2 fan-club magazine to ever exist. Each issue carried exclusive in-depth interviews, plus... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 1560254874
• ISBN13: 9781560254874
• Release Date: November 2003
• Publisher: Da Capo Press
• Length: 256 Pages
• Weight: 2.35 lbs.
• Dimensions: 0.7" x 8.4" x 11.1"

Customer Reviews

Excelent book!!!

This book contains only the best of the best of U2. You can understand some of the decitions of the band or event the songs just to take a look to the book. The best book of U2 ever.

u2: The Best of Propaganda

This book is a great insight into the world of U2, great reading for the U2 fan although i think Ian Grittins forgot to proof read this material and also forgot to hit spell check because there is alot of spelling and grammer mistakes, still a fantastic buy, lots of stuff here that you wont find anywhere else.

Must-have for a die-hard U2 fan

As the title indicates, this book is a must-have for those of us who are passionate about U2. The photos are great, the articles cover a wide range of styles, authors, perspectives, etc....it is especially interesting to read interviews with the band at vastly different stages of their career. However, I wouldn't suggest this book as an introduction to U2. Unless you know the history of the band quite well, most of these articles would be confusing to you because they are highlights from U2's magazine, and background knowlege is assumed--sometimes very little context is given. But as I said, for those of us who know U2 well, context is not necessary. My only complaint is the editing, or lack thereof. There are so many typos in this book you would think that it wasn't proofread at all; or perhaps it was simply produced very quickly. Overall though, an essential addition to any fan's collection.I am adding a p.s. to this review after reading Ian Gittins' (the editor himself!) response to mine and others' complaints about the typos. I thank Mr. Gittins for explaining; the fact that the typos were present in the original articles did not occur to me. If I had thought a little harder about it, maybe it would have occured to me, or maybe it wouldn't. At any rate, though the typos are still distracting, they are not as irritating now that I know why they're there. I am dutifully chagrined for any implications about Mr. Gittins' editing abilities...