The Twentieth-Century Performance Reader

The Twentieth-Century Performance Reader provides a pioneering introduction to all types of performance (dance, drama, music, theatre and live art) through the writings of forty-two practitioners,... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0415116287
• ISBN13: 9780415116282
• Release Date: May 1996
• Publisher: Routledge
• Length: 448 Pages
• Weight: 1.15 lbs.
• Dimensions: 9.3" x 6.3" x 1.0"

Customer Reviews

Affordable & Great Condition

I got this book for a fraction of the cost it is in my book store. It showed up in great time and also great condition. I would buy from this seller again.

Great Book

This book has been instrumental to my growth as an artist. Though the book lacks the in-depth feel (you only get a few pages per practitioner), the breadth of knowledge contained in the TCPR book more than makes up for it. It has practitioner mini-biographies as well as "further reading" suggestions to cross-reference some of the theories. All of the articles/essays are first-hand sources! A must have for anyone seriously studying theatre theory in the 20th century.

Great survey of ideas about performance

I have this book in paperback - it is a fantastic reference for anyone involved in performance - especially theater, dance and performance art. Each of the sections of the book is by a different practitioner (or theorist) and they are cross-referenced to other readings in the book that relate. I did as the authors suggest in the intro, and selected an author and area of interest to me, and then kept following cross-references to make my way through the book. The ideas and concepts unfolded in this way like a conversation across the decades. Fantastic excerpts from writings from Boal, Brooks, Brecht, Cunningham, Duncan, Wilson, Grotowski, LePage. The book covers dance, performance art, theater, happenings, and singing. The nature of the readings is general enough, and involved with large enough issues, that no matter what type of performance is being discussed, the readings tend to contain ideas that are relevant to other types of performance as well. This is part of my summer reading, but I'm funny that way - you may find it to be a bit more like a text book. Most of the pieces are fairly accessible, although to be sure, you will get more out of it the more culturally literate you are. Individual pieces are compelling, and generally exemplify the main ideas put forth by the profiled individuals in relation to the nature of performance. I highly recommend this book - gives you much better insight than reading a standard theater history text. For me, even the theories I disagree with were inspirational and thought provoking. Doesn't really replace the necessity of having a good set of important works like "The Theater and Its Double" or "The Empty Space", but helps fill in the gaps for other materials that you otherwise might not have exposure to.