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Paperback Turning to Earth: Stories of Ecological Conversion Book

ISBN: 0813921872

ISBN13: 9780813921877

Turning to Earth: Stories of Ecological Conversion

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Book Overview

Turning to Earth offers a window into the heart of environmental change, moving beyond the culture's traditional reliance on policy reforms and technological measures. It charts the course of "ecological conversion," a dynamic inner process by which people come to ally themselves with the natural world and speak out on its behalf. Stories by ecological converts illuminate a critical realm long neglected by environmental scholars and activists--how the terrain of spirit, psyche, and conscience shape our commitment to Earth.

Marina Schauffler's engaging exploration of "inner ecology" deftly weaves together numerous autobiographical accounts with insights from the fields of ecocriticism, ecopsychology, environmental philosophy, and environmental education. An opening portrait of the writer and activist Terry Tempest Williams traces her deepening devotion to Earth. Each subsequent chapter explores a key element of ecological conversion, drawing primarily on the personal testimony of Williams and five other pioneering writers: Rachel Carson, Alice Walker, Edward Abbey, Scott Russell Sanders, and N. Scott Momaday.

Turning to Earth extends the parameters of contemporary environmental discussion by illustrating how substantive change hinges not just on political and institutional reforms but also on profound inner transformation. The compelling life narratives of ecological converts provide inspiration and direction for the growing number of activists, educators, scholars, and citizens committed to changing the world from the inside out.

Customer Reviews

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A Lucid Exploration of Ecological Awakening

In Turning to Earth: Stories of Ecological Conversion, she sets out to investigate this spiritual phenomenon. She outlines the process of ecological conversion, a process which she believes makes people feel intimately bound up in the natural world, spiritually satisfied, and environmentally motivated. Her sources are the personal narratives of Edward Abbey, Rachel Carson, N. Scott Momaday, Scott Russell Sanders, Alice Walker, and Terry Tempest Williams. Turning to Earth is a kind of miniature Varieties of Religious Experience for the ecologically minded. Thankfully, the slim volume is about as lucid, personal, and earnest as academic writing gets. It incorporates lyrical passages about Schauffler's own conversion experiences along with literary criticism and bits of biographical essays. I came across the book one afternoon in the Stanford Bookstore, perused it, bought it, and shoved its smooth green hide into my purse with almost fetishistic excitement. It did not disappoint. How often can a dissertation revised into a first-university-press-book generate such a response? Schauffler outlines the process of "turning to earth" in six steps: "Remembrance," "Reflection," "Revelation," "Reciprocity," "Resistance," and "Ritual." I assumed she intends the framework as one tool for analyzing ecological conversion, not as an airtight, comprehensive model. She warns us that these elements of conversion don't follow a Twelve-Step-style progression. We should expect to jump around and start over. Schauffler begins with "Remembrance," which refers to formative experiences in nature in childhood. "Reflection" means adult introspection which may come in response to loss or pain. "Revelation" refers to mystical insight. "Reciprocity" means awareness of our relationship with non-human elements of nature. "Resistance," of course, means fighting to protect the environment. Schauffler frowns on the idea of nature as self-help. She encourages us to see the process of "turning to earth" as a way to embrace responsibility as well as healing. "Ritual" describes the way in which creative and ceremonial acts reinforce the sense of belonging in nature. Though I found the alliteration annoying and the idea of steps a little cookie-cutter, in the end I was grateful for the structure. It allowed her to describe a varied and often cyclical spiritual process and draw on a gaggle of authors without making her structure byzantine.
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