Trail Dust and Saddle Leather

By Joseph Jacinto Mora

Originally published in 1946, this cassic in a beautifully illustrated chronicle of th evolution of the American Cowboy.These Jo Mora illustrated Cowboy and Indian posters were printed in the 1930's and they have never seen the light of day We have the only remaining editions from Jo Mora's basement, and they are in mint condition. Regulary sold at antique auctions for $400 to $800 apiece in less-than-mint condition, we are selling our mint condition prints for $600 per set, or $200 for the Indian print. Only 25 sets and 100 Indian prints remain We also have reproductions of the Cowboy and Indian prints -- $30 each.

• Format: Hardcover
• Language: English
• ISBN: 0922029180
• ISBN13: 9780922029181
• Release Date: January 1994
• Publisher: UNKNO
• Weight: 1.65 lbs.
• Dimensions: 9.0" x 1.0" x 7.3"

Customer Reviews

Have your heroes always been cowboys?

I admit to a terrible weakness for good, highly detailed line drawings; I know real people and animals don't have ink outlines, but there's nothing like a great ink sketch to help you understand just how a creature, or an outfit, is put together. Jo Mora, who deserves to be far better known than he is, was a master of the medium, and nowhere does he strut his stuff better in this book, first printed in 1946, when he was 67 years old.Mora begins with a brief, humorous sketch of the beginning of the American cattle industry--the early Spanish ranchero, the antebellum Texian frontiersman-cowhunter, and at last the first great trail drives to Kansas. He goes on to explain why the cowboy's dress and tools are as they are and how the rider does his work, complete with diagrams that show sequentially how a steer is "busted." He tells about the two chief systems of breaking a cowhorse, about the longhorn and his customs, the trail herd on the way north, the chuck wagon, the roundup, brands, rustling, and that indispensable item, the horse. He illustrates it all with fine detailed pictures that should help anyone, even if they've never seen a real cowboy in their lives, imagine how one should have looked. His friendly, casual voice, like that of Will James or Ramon Adams, is that of an old-timer at the campfire genially explicating upon something he loves and knows well, without ever forgetting that he may be dealing with a pack of ignorant greenhorns. This is one of the half-score or so of books that are absolutely indispensable to an understanding of the genuine "waddie" and his work. It begs to be brought back into print.