From the Preface: " ...how happy was I when, one night, I found myself awakening from the BLACK of sleep (but not the sleep itself) and facing a dream during which there appeared to me the story of a species that had survived the end of both the hyper-dumb-human and artificial-god eras? That dreamscape, as I wrote it down, assumed a structure that is a hybrid of screenplay, stage play, and Platonic dialogue -- a play of actions, choices, and ideas within which a human species did successfully evolve from the Singularity of its once undreamt birth of hyperlove into the subsequent Singularity of its hyper-human destiny in love-that-is-love. Its genre is a hybrid of four: Traveling Angel; Romantic Drama; Science, including Mathematical, Fiction; and, Magical Realism, with a log-line that might go something like this: Two parallel universes intersect at last. In one, the younger he and she find passionate love. No, it finds them, but then flames out. In the other, the older he and she find each other again but without a flame, not even a spark -- now not as much "in love" as "in understanding of the Phenomenology of Love." In the brane of the intersection of those two parallel universes, which can transpire only in Hyperspace, their Twin Flame bursts, the crowning and the crown of a perinatal sequence that re-ignites the original spark for them and the Love Bomb for the humans. What kind of Singularity is that? What kind of love is that? ...... And, so, here is your well-composed mathematical vehicle to the (transcendent+al) reality of Love, which is much more than the simplicity of erotic Eros or romantic Amore. I call this vehicle The Geometry of Love, which plays just one POINT of your lux into The Phenomenology of Love."
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