Focusing on the aesthetics of video, Timeshift tests current semiotic, postmodernist and psychoanalytic approaches in the laboratory of real-life video viewing.
Exploring the power and capabilities of video, this text describes how viewers have found a new cultural relationship through electronic recording. The study considers the roles of distributors, censors, technicians, reviewers and exhibitors as well as viewers.
Focusing on the aesthetics of video, Timeshift tests current semiotic, postmodernist and psychoanalytic approaches in the laboratory of real-life video viewing.