Tibetan Sage - Entering The Hall Of Records

By T. Rampa

TUESDAY LOBSANG RAMPA RETURNS TO THE CAVE OF THE ANCIENTS Explore the depths of the unknown with the masterful Lama as he probes the history of the Earth -- Past, Present and Distant Future Along with... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 1892062062
• ISBN13: 9781892062062
• Release Date: February 2012
• Publisher: Inner Light - Global Communications
• Length: 108 Pages
• Weight: 3.10 lbs.
• Dimensions: 0.2" x 8.5" x 11.0"

Customer Reviews

Worth a read

The book arrived in timely fashon and in good condition.You have to enjoy this type of read to enjoy this type of read.

Old truths for new times

This is definitely a great book which fills in many gaps in human knowledge of our past. Now I can understand how the annunaki built the pyramids and the monuments of South America. The story is oddly put together, though, as if some paragraphs were missing. Complement this reading with George Adamski's Inside the Spaceships and you have a very valuable look at our past and our future.

A Parting Glimpse Of The Infinite

"Tibetan Sage" is the last book T. Lobsang Rampa wrote, his fond farewell to his loyal audience and a last attempt to silence his critics and expose fraud conducted in his name. Rampa died in 1981, just a few months shy of his 71st birthday, and "Tibetan Sage" was published the previous year. In the epilogue of this, his final book, he courageously speaks of his passing as being both inevitable and soon. And what a wonder his last book is. It is full of the things that keep one riveted to Rampa's spiritual struggle, the essential core of truth that makes it impossible to turn away and accuse him of lies and fakery. The book begins with Rampa as a very young man, not quite at the level of Buddhist monk but still a promising student. With his mentor, the Lama Mingyar Dondup, he sets out to rescue a hermit overseeing a small hermitage in the mountains of Tibet. Alas, a sudden earthquake topples the hermit to his death, and does serious injury to the Lama Mingyar Dondup's legs, who finds himself trapped under a boulder. In the process of freeing his mentor, the young Rampa stumbles onto a secret compartment in the mountainside and carries the Lama inside. The compartment houses a flying saucer, which Rampa explores with the Lama and which will become the primary setting for the rest of the book. Much to Rampa's surprise, the Lama is already familiar with the languages used by the aliens and with much of their technology. The ship has lain dormant for a million years, yet everything is still pristinely clean and functional. Some alien occupants are discovered frozen at their control consoles in a state of suspended animation. They remain that way throughout Rampa's story, and the book's real focus is on Rampa and the things he learns there, not on coversations with aliens. There is often a dramatic shift of consciousness associated with a human being actually boarding a UFO called "the Oz Effect." It is given that name because the extreme contrast between the two environments resembles that moment in "The Wizard of Oz" when Dorothy crosses over from the black and white world of Kansas to the Technicolor land of Oz. This is certainly applicable to the changes Rampa undergoes in "Tibetan Sage," as he witnesses holographic recordings of the formation of the planet up through the Second World War, all stored in the mythic Hall of Records and accessed onboard the flying saucer. At times, Rampa feels as though he is living and breathing in those previous and even future times, a degree of realism still not attainable by our own current technology. Sadly, most of what he sees involves bloody warfare both among people and between the gods themselves, another testimony to alien truthfulness. In his introduction, Rampa adamantly declares that "Tibetan Sage" and in fact all of his books are the literal and unvarnished truth and not mere science fiction. His deep convictions in that regard may indicate that he is another in the long line of "literary a