"For me, each shot is a living thing, with a breath of its own, that consists of inhaling and exhaling. this is a process that cannot accept my interference. it must have a natural opening and fading." Deeply rooted in the soil and culture of his native Greece, in its history, and in its contemporary political upheavals, Theo Angelopoulos (b. 1935) has chosen to make all his films, without exception, at home. Like Ingmar Bergman before him, he proved...