The Witch of Edmonton

By William Rowley, Thomas Dekker, John Ford, et al.

Book Overview

It is a historical phenomenon that while thousands of women were being burnt as witches in early modern Europe, the English - although there were a few celebrated trials and executions, one of which the play dramatises - were not widely infected by the witch-craze. The stage seems to have provided an outlet for anxieties about witchcraft, as well as an opportunity for public analysis. The Witch of Edmonton (1621) manifests this fundamentally reasonable attitude, with Dekker insisting on justice for the poor and oppressed, Ford providing psychological character studies, and Rowley the clowning. The village community of Edmonton feels threatened by two misfits, Old Mother Sawyer, who has turned to the devil to aid her against her unfeeling neighbours, and Frank, who refuses to marry the woman of his father's choice and ends up murdering her. This edition shows how the play generates sympathy for both and how contemporaries would have responded to its presentation of village life and witchcraft.

• Format: Paperback
• Language: English
• ISBN: 071364253X
• ISBN13: 9780713642537
• Release Date: September 2008
• Publisher: Bloomsbury Publishing PLC
• Length: 160 Pages
• Weight: 0.42 lbs.
• Dimensions: 0.5" x 5.1" x 7.8"

Customer Reviews

Entertaining Plot - Methuen Student Edition is Great

I look unfavorably upon books and screenplays rushed to the market to capitalize on recent sensational jury trials, confessions of serial murderers, and distasteful behavior by politicians and other celebrities. I would consider it unlikely that I would appreciate a play rapidly assembled by three playwrights on the recent execution of a notorious old woman condemned for practicing witchcraft. Surprisingly, I did enjoy such a play. Admittedly, a few centuries have elapsed since Thomas Dekker and John Ford and William Rowley collaborated on The Witch of Edmonton. The Mother Sawyer subplot is apparently faithful to the actual event; Sawyer was hanged on April 19, 1621. Within days the chaplain of Newgate Gaol published a pamphlet titled The Wonderful Discoverie of Elizabeth Sawyer a Witch, late of Edmonton, her Conviction and Condemnation and Death. This document served as the primary source for Dekker, Ford, and Rowley. The first known performance was December 29, 1621 at the Court of King James, but earlier public performances are likely to have occurred. Many books, plays, (and now screenplays) on topical events are quickly forgotten. Fortunately, after several centuries of neglect, The Witch of Edmonton was republished in the late 1800s, most importantly in the influential Mermaid Series. More recently several major production companies, including the Royal Shakespeare Company, have staged The Witch of Edmonton. The short prologue to this play ends with the sentence: 'Here is mirth and matter.' However, most readers will agree that The Witch of Edmonton has only a few elements of comedy and that matter clearly overwhelms mirth. The plot involves two intertwined themes, both stories of betrayal and deceit and misplaced loyalty: 1) To gain a dowry, the young Frank Thorney deceives all that trust him, commits bigamy, and even murder. 'Tis done, and I am in. Once past our height, we scorn the deepest abyss' 2) Living in isolation, feared and abused by her neighbors, Mother Sawyer pleads for help. 'Would some power, good or bad, instruct me which way I might be revenged.' The devil in the guise of a dog obliges Mother Sawyer in return for her soul. The Witch of Edmonton is interesting, entertaining drama. The characters do not have the psychological depth found in Shakespeare's tragedies, but this play warrants reading by anyone that enjoys Elizabethan and Jacobean drama. I highly recommend the Methuen Student Edition. The extensive commentary, plot analysis, and character reviews are excellent.