The Wagner Operas

by Ernest Newman

Book Overview

In this classic guide, the foremost Wagner expert of our century discusses ten of Wagner's most beloved operas, illuminates their key themes and the myths and literary sources behind the librettos,... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0060910747
• ISBN13: 9780060910747
• Release Date: January 1983
• Publisher: HarperCollins Publishers
• Length: 2 Pages
• Weight: 0.35 lbs.

Customer Reviews

A classic

I won't repeat the praise that other reviewers have expressed for this volume. This book is a classic by a Wagner scholar who really knows what he is talking about. It is an indispensable reference for any Wagner enthusiast.

The best reference I have on the subject.

Scholars and critics say that Herr Wagner's talent was in synthesis. The negative critics, e.g., specialists in a field from which they feel Wagner has stolen, tend to discredit Wagner for that. The grail was not, alas, the cup used at the last supper, prior to the opera "Parsifal" anyway. What's more the Grail theme was plagiarized from Mendelssohn. The plot of the Ring was not, alas, the same plot as the German novel "The Nibelungenlied." Wagnerians like myself, rather, see that synthesis as a symptom of Wagner's genius. He was able to take a series of sources, stories, novels, epics, songs, and cement them into a supreme art form, Gesamptkunstwerk, better than the sum of all the parts. Newman comments intellegently on all aspects of the operas. He includes musical themes--surely a necessity in the work of that expert user of the leitmotif!--and even the psychological dimensions of the music. (Before I saw "Tristan und Isolde," I attended a presentation of a musicologist who nearly broke into tears as to the depth of the music in that opera. His comments reminded me of those of Newman regarding the same piece, which reminds me of Jung, one, whom you might say, was a product of some of the same Germanic trends of the late 19th century. But, enough on that...)I read each review before I see the opera to which it applies. I read them again periodically. They are magnificent, allow for reasonable criticism. But they also give the devil his due. I cannot recommend the book more strongly for anyone interested in Wagner, especially if you plan to hear or see the operas. Then leave the volume next to your bed. It's well worth re-reading, learning all dimensions of the music of perhaps the best composer who ever lived. Is that extreme? Perhaps. Was Wagner's genius extreme? Off the scale. Read and enjoy it.

A superb book:astonishing learning, sensible interpretations

Ernest Newman's book remains the best introduction to Wagner's operas. He is astonishingly good on Wagner's sources, and on the draft processes Wagner went through as he transformed source material into his final forms. Other books deal with different aspects of individual operas in more depth, but this is still one of the books to start with. Everybody interested in Wagner should - well, the first thing to do might be to listen to excerpts from "Die Walku:re", "Tristan" or "Parsifal", say, and be awed by the music - but once you've heard the music, if you're still interested, you should get this book. Laon

This is the place to start, the one you can count on

Nobody ever wrote more insighfully, brilliantly and accessibly about the titanic contribution of Richard Wagner to western culture than did E. Newman. This is a classic that should be read by all and anyone interested in what all the fuss is about. It's an old book but it's not dated. Take his translations seriously. Even though there are a lot of anachronisms (thou sayest...etc), they were anachronisms that RW intended when he wrote the poem. May I also recommend the Solti Recording of the Ring; the Furtwangler studio recording of Tristan; the Jochum Meistersinger and (gasp) the Levine Parsifal (the Knappertsbusch is sublime in so many special ways you may have to buy both. May I also recommend the Ring Interactive CD Rom. It is a blast.