"The four essays in this volume constitute Derrida's most explicit and sustained reflection on the art work as pictorial artifact, a reflection partly by way of philosophical aesthetics (Kant, Heidegger), partly by way of a commentary on art works and art scholarship (Van Gogh, Adami, Titus-Carmel). The illustrations are excellent, and the translators, who clearly see their work as both a rendering and a transformation, add yet another dimension to this richly layered composition. Indispensable to collections emphasizing art criticism and aesthetics."--Alexander Gelley, Library Journal
A reading of Adami's reading of Derrida's Glas. Fantastic book. Recommended to those who want a new view of painting, art, and history in general.
Very interesting book
Published by Thriftbooks.com User , 18 years ago
Derrida has a very complicated way of writing : it is not easy avoiding metaphors, the verb to be, the 'I'. Especially when the subject is art, beacause it is exactly the realm of the aesthetic, the subjective, the presence. This, I think, is one of his most difficult texts. This book sets to investigate the multiple questions that develop in the presence of Cezanne's proposal : Cezanne's aim is to tell the truth in painting. What is the relation between truth anda beauty, language and image, philosophy and art? Derrida investigates those in two large chapters called 'Parergon' and 'Van Gogh boots'.
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