The Sundering (Banewreaker & Godslayer)

by Jacqueline Carey

Book Overview

This is a two-in-one volume with both of Jacqueline Carey's top sellers Banewreaker and Godslayer. (Inside jacket: with her successful Kushiel series, Jacqueline Carey proved herself a force to be... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0739456903
• ISBN13: 9780739456903
• Release Date: January 2005
• Publisher: Tor Books
• Weight: 2.30 lbs.

Customer Reviews

Excellent dark Fantasy-Nordic overtones-yes, a Tragedy as well

I'm honestly surprised by the bad reviews (speaking of those left for the individual paperbacks). I can't understand how this can be compared to the perspective of the Nazgul, or to the LotR at ALL - this is completely different! The Nazgul were intent on world domination and the complete and total subjugation of all people and races underneath them; Satoris only wants to be left alone. I really liked this book - we're given a completely NEW perspective on the "dark God" premise. What if ... what if the so-called "dark God" is NOT in fact the one who is responsible for [name your calamity here]? What if the so-called "light God" is the one who is trying to take over the world and [name your megalomaniacal purpose here] through any means possible - lies, twisted truths - and then basically force everyone to do things his way? What if, in other words, everything you THOUGHT was TRUE, was, in fact, WRONG? This is the premise of this refreshingly original idea. Satoris Third-Born, formerly known as the Sower, whose Gift was the Quickening of the Flesh (aka - passion, lust), is now called the Sunderer, the Banewreaker and all manner of dire things. Satoris had incurred Haomane's wrath by refusing to take away his Gift from Men - at his sister Arahila's pleading - three times. Haomane wanted this done for a couple reasons - first: he had refused the Gift for his Children, the Ellyl, because he had made them immortal; however, Men became jealous of them and began to war against them in an attempt to gain knowledge about how to become immortal themselves, therefore leading to b) there were just too many Men (in his opinion) and they didn't show proper respect for the Ellyl, who were obviously their betters. As a result of Haomane's various attacks upon Satoris, the Souma (the Eye in the Brow of Uru-Alat - the World's Creating God) ended up split apart, the world Sundered and the sea poured in. Satoris was wounded by a splinter of the Souma, a wound that never heals - however, he did catch hold of this splinter, and maintained possession of it - a dagger he called the Godslayer. Satoris now remains in Urulat with the various Children created by the Shapers, and the other six Shapers stay across the Sea in Torath where they continue to plot. That is the background of the story. Flash-forward: In the first book - "Banewreaker" - almost everyone in the world believes Satoris alone is responsible for the Sundering and splitting of the Souma. As a result, Satoris is despised universally, despite the fact that all he wishes is to be left alone in the fortress he created in the Gorgantum Defile, in the mountains he has Shaped. He has called to himself Three Men and bound them to his service, stretching the Chains of Being and granting them immortality - Tanaraos, called variously Blacksword, Kingslayer and Betrayer; Vorax, the Glutton; and Ushahin, the Dreamspinner. In "Banewreaker," the signs of war have appeared, and Haomane's Prophecy for the downfal

An extraordinarily complex, moving achievement

Yes, I have read and loved all the Kushiel series; they are astonishing, wonderful books. Yet those who pick up the two volumes of the Sundering because they loved Phedre, and come away disappointed and complain the books fail to measure up, are missing the point entirely. These books are a different genre, and a different kind of accomplishment; they are a fantasy epic which is also a philosophical and ethical critique of the epic genre. Of course, the similarily in narrative structure to the Tolkien epics is conscious and purposeful. Almost every character from the Lord of the Rings is found here: Gandalf-Malthus, Frodo-Dani, Aragorn-Aracus. Previous reviewers may have missed that the arguable "heroes" of this story, Tanaros Cavaros and the "Misbegotten" Ushahin Dreamspinner, are analogous to the leader of the Ringwraiths and Gollum. And Satoris Banewreaker, of course, is the Sauron who the Elves/Ellylon so lyrically claim to be bent on the destruction of all that is good and beautiful, working tirelessly "to cover all the world in a SECOND darkness!!!" I wonder, how many of us who read and loved the Lord of the Rings ever wondered why Sauron would wish such a thing? Did the explanations of his motivations ever seem thin? Sauron was supposed to have created the Orcs "in savage mockery" of the Elves; a force of pure evil, needing no purpose other than destruction, with no desires, even in creation, except to mock and ruin. What Carey's epic is meant to show, and it succeeds beautifully, is that there are no such villains. There can be no races, such as the Orcs in Tolkien, without redeeming characteristics. To exist at all, especially to exist as a living community of any kind, living creatures must manifest certain virtues. The "Orcs" on the Sundering epic are ugly, certainly, and the "Elves" fear and despise them; yet Carey shows the Ellylon hatred and fear of the trollish Fjel as a product of their own limited aesthetics and the enmity between their races. The Fjel lack the beauties and brains of Elves and Men, yet they are real creatures, and therefore, in order for them to continue as a race at all, they must reproduce and rear their children, they must have some forms of love and loyalty. As this epic unfolds, the awareness grows in the reader that the "orcs" of Tolkien could never have been anything but a savagely distorted picture, a lie wrought by those who hated them from a distance. The power of the Ellylon to tell their stories with beauty, and thus inscribe their point of view as history, is explicitly thematized by Carey's hero Tanaros, who reminds the lovely Ellyl lady that every story has two sides, and that no Elf or Man has ever listened to the stories of the Fjel. Tanaros himself stands as one of only two counter-examples; he himself is a Man, one who once served the ruling house of the oldest of Men's kingdoms. Once a hero in the best epic style, a loyal general who loved his king and his wife, now he is the

Good first half of a story. What next?

I love Jacqueline Carey's series about Phedre, beginning with Kushiel's Dart. It is one of my favorite stories. I also enjoyed The Sundering, though not as much. The Sundering is a takeoff on Lord of the Rings, upside down. Sauron is the good guy here, and Gandalf is the bad guy. Frodo is a bit of a dupe, sent to destroy Sauron's power, even though Sauron was much kinder to him than the good guys ever were. In this story, Gandalf's name is Malthus. "Mal" means something bad, as in malady. Frodo's name is Dani. He is accompanied by his uncle Bilbo, whose name here is Fat Uncle Thulu. The dwarves are intact, but the elves are here called Ellylon, and are not as short as the elves of LOTR. Instead, they are the size of the elves in the LOTR movie, man-size. Aragorn is in this story as well. His name is Aracus Altorus rather than Aragorn son of Arathorn. Same guy. Leader of the Borderguard, and the hereditary king. And as in LOTR he is scheduled to marry an elf, the Ellylon beauty Cerelinde. Sauron, here called Satoris, isn't half bad. He inspires love and loyalty. It is his big brother Haomane who is the real pain in the butt. All of Satoris's brothers and sisters have ditched our world, gone across the sea, I suppose across the Atlantic Ocean to settle in America while the action of the story is in Europe, more or less, though Haomane's home is described as an island, not a continent. Haomane wages unjust war against Satoris. On Satoris's side are Jackie's version of orcs or trolls, which she calls fjeltrol. They are big and strong and ugly. They are bigger than humans. But they have hearts of gold and are the good guys. The beautiful Ellylon are a bit of a load, conceited as all hell. So while Tolkein made it obvious who to root for because his good guys were cute and his bad guys were ugly, Carey turns that upside down for us. Ugly good guys, cute bad guys. I was confused with some of her terminology. Souma. Soumanie. Marasoumie. Rhios. Half the time I barely knew what she was talking about when she mentioned these things. Apparently there is a lot of magic in her world, and the souma is a great source of magic. Her characters are so interesting that I always wish the books were illustrated. The main additions she has to LOTR are some new characters. Satoris (Sauron) has his three main helpers. I suppose they could be compared to the ring wraiths, and once in a while one of them is a Black Rider, but these three really aren't ring wraiths, and have interesting characters of their own. One of them, Tanaros, is the star of the book. I enjoyed this book but it cries out for a sequel. Everything about the ending screams out SEQUEL.

A tragedy

This is an interesting book. The world is believable. the different races recognizable. It is told from the perspective of Satoris, the third born shaper of the world. He is supposed to be the bad guy that caused the world to be sundered. And war is coming. It is led by the children of the first born shaper, Satoris' brother Haomane. They are allegedly the good guys. So now we have a classic battle between good and evil, only good isn't that good, and evil might actually be innocent of the charges against him. I found myself cheering for Satoris as everything about him fell apart. I really didn't like Haomane at all. There are magical weapons, prophecies, but no one becomes all powerful that none can stand before him. This is a story filled with rich characters, and they experience the spectrum of love, betrayal, honor and pride. This is good story and fine fantasy. Recommended.