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Paperback The Soul of Man Under Socialism (annotated) Book

ISBN: 1517764629

ISBN13: 9781517764623

The Soul of Man Under Socialism (annotated)

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"The Soul of Man under Socialism" is an 1891 essay by Oscar Wilde in which he expounds a libertarian socialist worldview and a critique of charity. The writing of "The Soul of Man" followed Wilde's conversion to anarchist philosophy, following his reading of the works of Peter Kropotkin. In "The Soul of Man" Wilde argues that, under capitalism, "the majority of people spoil their lives by an unhealthy and exaggerated altruism-are forced, indeed, so to spoil them" instead of realising their true talents, they waste their time solving the social problems caused by capitalism, without taking their common cause away. Thus, caring people "seriously and very sentimentally set themselves to the task of remedying the evils that they see in poverty but their remedies do not cure the disease: they merely prolong it" because, as Wilde puts it, "the proper aim is to try and reconstruct society on such a basis that poverty will be impossible." Wilde did not see kindness or altruism per se as a problem; what worried him was its misapplication in a way which leaves unaddressed the roots of the problem: "the altruistic virtues have really prevented the carrying out of this aim. Just as the worst slave-owners were those who were kind to their slaves, and so prevented the horror of the system being realised by those who suffered from it, and understood by those who contemplated it, so, in the present state of things in England, the people who do most harm are the people who try to do most good" while preserving the system. Wilde's deepest concern was with man's soul; when he analysed poverty and its causes and effects in "The Soul of Man under Socialism" it was not simply the material well-being of the poor that distressed him, but how society does not allow them to reach a form of self-understanding and enlightenment. He adopted Jesus of Nazareth as a symbol of the supreme individualist. 4] Wilde advocated socialism, which, he argued, "will be of value simply because it will lead to individualism" and "substituting cooperation for competition will restore society to its proper condition ... and ensure material well being for each member of the community." Wilde examined the political conditions necessary for full self-development and devotion to art, arguing, "Art is individualism, and individualism is a disturbing and disintegrating force. There lies its immense value. For what it seeks to disturb is monotony of type, slavery of custom, tyranny of habit, and the reduction of man to the level of a machine." 5] 1895 book edition under the truncated title "The Soul of Man," "privately printed" in 50 copies at Chiswick Press, 30 May 1895, five days after Wilde's conviction for gross indecency. He made a point of delineating "individual" socialism from "authoritarian" (government-centered) socialism, advocating a more libertarian approach, "What is needed is Individualism. If the Socialism is Authoritarian; if there are Governments armed with economic power as they are now with political power; if, in a word, we are to have Industrial Tyrannies, then the last state of man will be worse than the first." In a socialist society, people will have the possibility to realise their talents; "each member of the society will share in the general prosperity and happiness of the society." Wilde added that "upon the other hand, Socialism itself will be of value simply because it will lead to individualism" since individuals will no longer need to fear poverty or starvation. This individualism would, in turn, protect against governments leveraging their power over their citizens. However, Wilde advocated non-capitalist individualism: "of course, it might be said that the Individualism generated under conditions of private property is not always, or even as a rule, of a fine or wonderful type" a critique which is "quite true."

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The only book you need ever own.

It may seem wilful to lead a selection of Oscar Wilde's major critical prose with an essay on left-wing politics, but 'The Soul of Man under Socialism' is more concerned with aesthetics than ethics: Wilde found socialism 'beautiful' because it encouraged freedom and individualism, freeing man to develop his emotional and imaginative lives. Wilde's Utopian scheme, as he admits, is gloriously impractical and contrary to human nature, but that's the point - it's because reforms are based on what is considered practical, rather than what might be possible or even unthinkable, that inequality and suffering persist. His vision of a future in which men dream and absorb Art as vaguely-imagined machines do all the menial work, reads like a delightful lampoon of HG Wells. Favourite Quotation: 'the moment that an artist takes notice of what other people want and tries to supply the demand, he ceases to be an artist and becomes a dull or amusing craftsman, an honest or dishonest tradesman'). The selection begins with examples of Wilde the professional reviewer at work, attending art lectures by Whistler, reading books by Pater and Swinburne, drawing attention to poetry anthologies by labouring socialists, praising an actress's memoirs. Some of the pieces are more theoretical, arguing, for instance, the importance and legacy of actors as critics of great theatre. Each article presents difficult and often radical ideas in an accessible and witty manner. FQ: 'where there is no exagerration there is no love, and where there is no love there is no understanding'.'The Portrait of Mr. W.H.' (printed here in its extended 1889 revision) is quite simply one of the greatest achievements in the world literature of short fiction. 'Short story' doesn't begin to describe this work about a young scholar who commits suicide after being caught forging evidence to 'prove' a theory claiming that Shakespeare dedicated his Sonnets to a young actor-lover. 'Portrait' is mostly a dazzling exercise in critical play, but it is also a touching gay fantasy, a Nabokovian study of mad academics, a defence of 'forgery' as an aesthetic mode, a literary detective story, a history of the Elizabethan stage, an anthology of Elizabethan gossip, a Borgesian metaphysical puzzle and so much more. FQ: 'he always set an absurdly high value on personal appearance, and once read a paper before our Debating Society to prove that it was better to be good-looking than to be good'.'In Defence of Dorian Gray' collects letters written by Wilde to hostile newspapers that branded his only novel immoral, decadent and demanded its interdiction. While it's depressing to see our hero stoop to these tedious non-entities, we must remember the dangerous influence of the reactionary press, and at least the letters make galvanising reading, helping Wilde formulate ideas that would shape the novel's famous 'All art is quite useless' preface. FQ: 'Good people exasperate one's reason; bad people stir one's imag
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