The Sociolinguistics of Hip-Hop as Critical Conscience: Dissatisfaction and Dissent
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Focuses exclusively on the use of the hip-hop genre as a form of resistance that emerges from the critical conscience of both artists and fans, the first book to do so Looks at hip-hop music and culture in locations as diverse as Australia, Finland, Mongolia, Brazil, Germany, and the USA
Breaks down the construct of hip-hop in a manner not yet attempted from the perspective of language and linguistics
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