Smoothly blending performance theory, literary analysis and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the Nineteenth-Century.
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