The Rise of Silas Lapham (Barnes & Noble Classics Series)

By William Dean Howells, William Carl Howell, William Dean Howell

Book Overview

&&LIThe Rise of Silas Lapham&&L/I, by&&LB William Dean Howells&&L/B, is part of the &&LIBarnes & Noble Classics&&L/I&&LI &&L/Iseries, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of &&LIBarnes & Noble Classics&&L/I: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriate All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. &&LIBarnes & Noble Classics &&L/Ipulls together a constellation of influences--biographical, historical, and literary--to enrich each reader's understanding of these enduring works. After the Civil War, rapid industrialization created a new crop of American multimillionaires. Although as wealthy as the "aristocrats" of Boston and New York, the &&LInouveaux riches &&L/Iwere rejected by those arrogant guardians of traditional society because of their "uneducated" tastes and uncouth styles. This class conflict is at the core of &&LIThe Rise of Silas Lapham&&L/I, one of the first American novels of manners, one of the first to look at the American businessman and self-made millionaire, and one of the first to employ realism--a style that would come to dominate twentieth-century American fiction.&&LBR &&LBRA devoted husband and father, fairly decent employer, and mostly honest businessman, Silas Lapham has used his father's small paint company to amass a large fortune. But he yearns to "enter society" and for his two daughters, Penelope and Irene, to marry well. However, blue-blooded Tom Corey's love for one of the Lapham daughters is thwarted by his mother, who believes Penelope is an overly independent social climber. Meanwhile, Silas's efforts to be accepted by the Boston Brahmins lead him into dangerous financial waters that threaten to drown his business and swallow his family. &&LBMorris Dickstein &&L/Bis Distinguished Professor of English at the Graduate Center of the City University of New York and a senior fellow of the Center for the Humanities, which he founded. His latest book is a collection of essays, &&LIA Mirror in the Roadway: Literature and the Real World&&L/I. He is completing a cultural history of the United States in the 1930s.

• Format: Paperback
• Language: English
• ISBN: 1593082878
• ISBN13: 9781593082871
• Release Date: March 2007
• Publisher: Barnes & Noble Classics
• Length: 363 Pages
• Weight: 0.95 lbs.
• Dimensions: 1.1" x 5.3" x 8.0"

Customer Reviews

Should be called "The Rise and Fall of Silas Lapham"

This book blew my mind! I found it absolutely engaging and the character of Silas Lapham was endearing to the point of surprise. This book says a lot about a class conscious America and even more about how "mom and pop" capitalism gets pushed aside to make way for impersonal mega corporations. Silas Lapham is a good-hearted, yet rugged individualist who pulled himself up by the bootstraps to make a giant fortune. Once he succeeds however, there is a whole group of people at the top of the ladder ready to push him onto his face, along with his whole "wretched family." No matter what he does to fit in with the "old money" he just can't seem to fit in and the more he works to fit the millionaire mold, the more he compromises his own values. What's best though is that we see him and his family through good times as well as through the downward spiral after his business crashes, and while it is sad, we see that they return willingly to what once was without coming out any worse. This book made me smile because the characters, especially Silas Lapham, are realistically flawed and human. I recommend this highly.

A perfectly symmetrical novel -- literally.

To the page, this book is symmetrical in its structure. It opens with a public confession (to a reporter) and ends with a private one (to a priest). In the exact center comes Lapham's moment of realization when he is drunk at a party. There is more to the structure, but that should be enough to get you going. A reviewer below calls Lapham a 'mogul with a conscience' which is accurate. The true core of this book is the way Howells carefully built it, though. Considering it comes from an age before modernism, it certainly feels quite modern. Give it a shot.

The Rise of Silas Lapham

I've had William Dean Howells' "A Modern Instance" and "The Rise of Silas Lapham," like many, many other books on my bookshelf for a long time. A recent meeting of a reading group of mine finally allowed me to make the time to read Howells' 1885 work, "Silas Lapham". I am extraordinarily glad I did. From the start of the novel, we are drawn into the world of late 19th century Boston, post-Reconstruction America, where newly rich industrialists attempt to enter the society life of old money. Howells crafts an extraordinarily realistic look at the American Dream gone awry. "The Rise of Silas Lapham" begins with an interview that a local newspaperman is doing of Colonel Silas Lapham, a mineral paint tycoon. Lapham's account of his rise from the backwoods of Vermont to his marriage, to service in the Civil War, to his propagation of a successful mineral paint business is chronicled and gives us a taste of the effort and perseverance necessary for his rise, as well indicating the possibility of some potential failings, especially with regard to his one-time partner, Milton Rogers. We soon learn that Mrs. Persis Lapham aided a society woman in distress the year before, and the return of her son, Tom Corey, from Texas, signals another sort of ambition on the part of the Lapham daughters, Irene and her older sister Penelope. The rest of the novel plays out the ways in which the Laphams try to parley their financial success into social status - and how the Laphams are affected by the gambit.Howells explores a number of significant cultural issues in "Silas Lapham": isolationism, social adaptability, economic solvency among all classes, personal integrity and familial ties, and the relationship between literature and life. The fact that the story is set about 20 or so years after the end of the American Civil War sets an important and subtle context that runs throughout the novel and inflects all of the thematic elements. The ways that the characters interact, the way that the society functions, even though the majority of the novel takes place in Boston, is importantly affected by the fact that Reconstruction is drawing to a close, Manifest Destiny is in full swing, and ultimately, America was at a point of still putting itself together and trying to view itself as the "United" States. Howells' treatment of the social interactions between the industrially rich Laphams and the old moneyed Coreys underscores the difficulty in creating and maintaining a national identity, especially when the people even in one northern city seem so essentially different. The romance story involving the Laphams and Tom Corey is obviously an important element of the story, and Howells does an amazing job of not allowing the romance plot to become as overblown and ludicrously sentimental as the works of fiction he critiques in discussions of novels throughout his own work. "The Rise of Silas Lapham" questions the nature of relationships, how they begin, how they e

Paint it red

William Dean Howells is an unjustly neglected American Renaissance author; his prose is more readable today than Clemmens, Hawthorne or Melville. His background as a journalist no doubt helps. The Lapham family is a delight to spend a couple of hundred pages with, as they interact and ultimately fall prey to Boston brahmin society. Silas Lapham is a self-made man who scores a killing in paint from his dad's farm; he becomes a self-unmade man. You get absorbed in the world Howells describes. Especially good reading on a plane.