The Rhythmic Structure of Music

by Leonard B. Meyer and Grosvenor Cooper

Book Overview

In this influential book on the subject of rhythm, the authors develop a theoretical framework based essentially on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm, with exercises for the student's own work.

"This is a path-breaking work, important alike to music students and...

• Format: Paperback
• Language: English
• ISBN: 0226115224
• ISBN13: 9780226115221
• Release Date: April 1963
• Publisher: University of Chicago Press
• Length: 221 Pages
• Weight: 0.65 lbs.
• Dimensions: 0.5" x 6.0" x 8.9"

Customer Reviews

Worthy Effort

Here Cooper and Meyer take on the nature of rhythm in music, using a system of relationships between accents and unaccented or lesser accented notes based on poetic feet. It is one of the very few attempts to discuss rhythm (beyond a basic categorization such as simple/compound; duple/triple)--that it is not, perhaps, completely successful should not entirely invalidate the effort, or indeed, the achievement. Certain topics are not entirely well-explained. I remember that as a student I asked Professor Meyer the difference between two particular terms used in the book--his answer was that he could no longer remember (this was probably 15 years after the book was written) and that the distinction no longer seemed important to him. True, the book was jointly authored and perhaps this distinction was never fully convincing to Meyer--I don't know. In spite of this, the book is truly important for introducing and discussing the concept of form as a rhythmic idea. That rhythm, like pitch, can have hierarchic structures may at first seem counterintuitive; but Cooper and Meyer make a convincing arguement. And that after some 35 years this book is still in print and has not been superceded speaks volumes.