This new look at Stanley Kubrick's 2001: A Space Odyssey starts with the phenomenon of the film itself. The Monolith is the main subject but the Monolith also functions as a nucleus that has many spokes coming out of it, much like the film's rotating Space Station. When picturing the book as a whole you should see the central monolith-enigma, with 12 or so variants or tangents sprouting out of it. Our minds could picture the hubs-and-spokes thing as a clock face, a clockwork monolith as it were. The variety of forms - quoted and imaginary dialogues, summaries, film-comparison, ape ventriloquism - requires readers to re-calibrate their reading parameters, just as 2001 demands viewers to adjust their cinematic expectations. In subtle ways, The Monolith and Its Influences takes on the qualities of 2001 , the book being one of those influences, suggesting ways to understand and expand upon itself.
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