The Killings of Stanley Ketchel: A Novel

by James Carlos Blake

Book Overview

Hailed as "one of the greatest chroniclers of the mythical American outlaw life" (Entertainment Weekly), James Carlos Blake turns to the blazing story of Stanley Ketchel, the legendary ragtime-era... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0060554371
• Release Date: July 2006
• Publisher: Harper Perennial
• Length: 320 Pages
• Weight: 0.55 lbs.
• Dimensions: 8.0" x 5.3" x 0.7"

Customer Reviews

Life of a boxer

A very well written life of a middleweight boxer who succombs to a tragic end. The author weaves in some interesting characters of the time, especially Heavyweight champ Johnson. Written with a very quick pace.

An absorbing if highly fictionalized account of the Michigan Assassin

As always, Blake writes with wicked verve and electricity as he gives his account of the Stanley Ketchel saga. Part travelogue, part compelling character study, part epic flaying of the American soul, The Killings of Stanley Ketchel takes the reader all over the American West in its first half, and then on to New York and back again as Blake traces the antic doings of Stanley Ketchel, the mercurial if short-lived middleweight champ. It's a dynamic rendering that depicts its subject in full, but centers on Ketchel's growing obssession with restoring the heavyweight crown to the white race after it has been captured by the impertinent, outspoken, and outlandish African-American, Jack Johnson. One caveat for the reader: I felt Blake took a little too much poetic liberty with his re-creation of the Ketchel-Johnson heavyweight championship bout in Colma, California in 1909. Blake's rendering has Ketchel's infamous double-cross decking of Johnson being so punishing that the champion is down and almost out for a count of 8. Johnson then recovers, lunges at Ketchel, and knocks him cold (and minus some teeth) for 15 minutes with a thunderous right. Johnson thus retains his crown but leaves Ketchel, although battered practically beyond recognition, hungering for another shot at him. This is a gross over-exaggeration of the facts. Ketchel did knock Johnson down in the 12th round, but Johnson barely brushed the canvas before he was back on his feet, walloping Ketchel with that lethal right. The fight film shows this. But it must be conceded that it better serves Blake's fictional potrayal of the obsessive Ketchel to have him come within a hair of victory only to be manhandled in a way he had never experienced before. More accurately presented in the book is the most famous of Johnson's fights, the one against the Great White Hope, Jim Jeffries, in Reno on July 4, 1910. Blake conveys vividly the total dominance of the black champion over the former champ, and the agony and despair of the virtually all-white crowd as they share Jeffries' humiliation. The aftermath of the fight, with Johnson, Ketchel and the racist author Jack London all driving down to a negro brothel, is made up entirely out of whole cloth, but really does no disservice to the truth of Ketchel's life in the same way that the misrepresentation of the Ketchel-Johnson fight did. It's probably quibbling too much to even bring up the above elements. The book is, after all, a novel, one that features a fascinating main character and an extremely colorful, if almost relentlessly violent, storyline posted on an amazing American landscape. Blake brings to life the early twentieth century in hardscrabble America, and in doing so does that thing which he always does so well, which is to reveal the teeming, dark underbelly of the American dream -- or is it the American nightmare?

******************Haunting, Epic, Heroic, Boxing Tale*******************

I just finished this book. Bravo James Carlos Blake! This was masterfully conceived. I love the old days. I love boxing. I love great writing. This book has all of those, and more. LONG LIVE STANLEY KETCHEL! Buy this book.

Author JCB has done it again!

In this engrossing novel based on the life of middle weight boxing champion Stanley Ketchel the Ragtime era of the early 1900's is brought vividly to life. The story begins with Ketchel running away from home and riding the rails as a teen-aged hobo after a fight with his step father which he believes has resulted in his death. It progresses smoothly into his discovery as a boxing prospect while working as a bouncer in a saloon out West. It then chronicles his rise and astonishing record of wins and K.O.'s both in and out of his weight class. The descriptions of the fights are edge-of-your-seat exciting and gory in places. His womanizing ways are also marvelously and entertainingly evoked. The dialogue is crisp, realistic, and humorous throughout which is one of this author's major strengths along with painting a vivid picture of that time period. Boxing fans and readers who like historical/biographical novels will really get their money's worth out of this book!

His Best Yet

Having read everything he has written and having great anticipation for the release of each new book he puts out, you might say that I am prejudiced to state this is definitely Blake's best work to date. As good as Red Grass River and Wildwood Boys were, this work just slightly outdistances them both in making you live the life and times of one of the great boxers in history, and following the pace of the story as it follows Ketchel as anti-hero. This is an absolutely entralling read, and the depth of research that he has undertaken to write it when combined with his gritty and realistic prose makes this a near-impossible book to put down once you pick it up. Blake has cornered the market in basing his novels on actual historical characters living on the edge of society, usually viewed in historical retrospect as less than stellar citizens, and who are ultimately pushed toward tragic ends by the circumstances of their times and the course of their self-created destiny. Why none of his works have been turned into a movie baffles me, as they are replete with action, historical detail, and pathos that would translate well to the big screen. The only bad part about reading this book is that you then have to realize that you are probably a year away for him to publish his next novel.