It is 1955 in Las Vegas. Sammy and Satchmo are headlining the big hotels - where the casino operators and the color bar say a black man can't buy a drink or a meal or a room. Until now. The Chicago... This description may be from another edition of this product.
Fascinating story in an exotic setting. Fleming takes us to the world inhabited by Blacks in 1950's Las Vegas. Here we find the entertainers forbidden to drink at the hotels where they work and the whites who follow them to their after-hours haunts. However, this no set piece of charicactures. Each denizen of Fleming's world has a purpose, and it is bound to collide with someone else. The story moves, ducks, and jives like a manic dance, all leading to a conclusion that is as interesting as it is disturbing. Fleming is a masterful storyteller.
Interesting 1950s thriller
Published by Thriftbooks.com User , 23 years ago
In 1955, trumpet player Deacon rides the bus from Chicago to Las Vegas. He barely disembarks from the bus when Mo "the man" Weiner pages him. Deacon knows you always respond when someone called "the man" wants to see you and immediately does. Mo orders Deacon to drive two hours to Shipton Wells where he is to warn someone to go back to Los Angeles. Deacon does the job, but someone else shoots the man anyway. Deacon grabs the man's suitcase and asks Anita, a waitress he just met, to stash it for him. Deacon realizes everyone in Vegas tries to manipulate the odds. Mo is the front for the Chicago and Los Angeles mobs and plans to make a killing on a new casino, THE IVORY COAST, that he will open in the Black West Side of town. Worthless Worthington Jones is his front with his own contrivance for a killing. Police chief Haney has his schemes to trump everyone else. All three intersect with Deacon and that suitcase he lifted, making life dangerous for the horn player. Though Deacon trusting Anita with the booty he snatched seems strained, readers will find Charles Flemming's debut novel a fascinating look at 1950's Las Vegas. The story line is so rich with history that it makes it possible for the audience to roll with high rollers and observe the Black stars unable to eat or sleep where they performed. THE IVORY COAST is a tremendous historical intrigue that is at its finest with its fifties texture that fans of mid-twentieth century tales will enjoy.Harriet Klausner
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