Khatibi's image of the father is problematic, even inconstant. It is marked by absence and substitutes such as the faquih, the teacher, etc. in "La m moire tatou e". In "Le livre du sang", however, the image becomes symbolic and takes on three different facets: the real, the symbolic and the imaginary, according to Lacanian terminology. Abdelk bir Khatibi rewrites his biography to correct his negative paternity. He seeks a symbolic elsewhere in the...