
Eugene O'Neill's darkest and most nihilistic play, with a foreword by Harold Bloom "We live and die, in the spirit, in solitude, and the true strength of Iceman is its intense dramatic exemplification of that somber reality. . . . Life, in Iceman, is...


Critical


"Spellbinding--soaring theater--. For reasons that remain mysterious, it seems especially moving today."-- The New York Times Eugene O'Neill mined the tragedies of his own life for this depiction of a seedy, skid row saloon in 1912, peopled by society's failures: worn-out anarchists,...


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