The Hollywood Musical, Second Edition

by Jane Feuer

Book Overview

... both fresh and informed, as well as a pleasure to read. --Film Quarterly

Since 1982, when this book first appeared, the Hollywood musical has undergone a rebirth, with the rise of teen musicals such as Dirty Dancing and Flashdance. In a chapter written especially for this second edition of her well-known study, Jane Feuer shows how this new development in the genre relates to important changes in the cinema audience itself. It is the...

• Format: Paperback
• Language: English
• ISBN: 0253207681
• ISBN13: 9780253207685
• Release Date: January 1993
• Publisher: Indiana University Press
• Length: 132 Pages
• Weight: 1.20 lbs.
• Dimensions: 0.5" x 6.0" x 8.9"

Customer Reviews

A rare thorough criticism

Jane Feuer's book "The Hollywood Musical" is a rare treat for those who want to get their hands on some actual criticism of this forgotten genre in movie history. She takes an analytical, thematic approach and the book is very much an academic work, not altogether readable for those searching for a friendly and informal introduction. However, if you really care about learning how this genre works and operates this is the most frequently quoted and leading book out there on the subject. I have some criticisms, just because Feuer seems to assume too much about what constitutes a "musical", naming "Dirty Dancing" and the like, whereas I would prefer an author who gives more critical thought to this complex question. She is very good, however, on the intricacies of the theme of self-reflexivity in the musical and its relationship to its ancestral roots of the live theater. Definitely buy this if you want to be introduced to a more complex analysis of this fascinating genre.

Carefully and precisely argued

The other reviewer doth protest way too much... especially against such a terrifically presented analytical survey of this cinematic genre.

I am affraid we're not in Kansas anymore.

The Hollywood Musical is ground breaking book in the area of film studies. Feuer exemplifies a total package, by not only tracing the orgins of the musical, but the affects of the musical to society. Feuer also shows a masterful understanding popular culture in defining the newly found teen musical. Feuer's most genius work can be found in Chapter 4. It is here, where Feuer defines the drean worlds and dream ballets. This chapter not only defines dream sequences for musicals, but the complex dream theory can also be applied to other genres. Feuer's work in the musical should be honored as a true gem for the field. You can almost hear Judy Garland sing as you turn the page. I would also like to personally thank Jane Feuer for teaching me and others the byways of this most complex genre...for that I am forever indebted to her.