The images in The Holdouts focus on three very different sets of homes: solo row houses in the inner city; abandoned houses on the Eastern Shore of the United States where the last generations of families either passed away or moved on after decades of farming the land; and encampments of people experiencing homelessness in Baltimore. The Holdouts is not just about abandoned dwellings and encampments, but also a reflection on history, memory, and marginalisation.
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