The Haunted Smile: The Story Of Jewish Comedians In America

by Lawrence J. Epstein

Book Overview

Lawrence Epstein's The Haunted Smile tackles a subject both poignant and delightful: the story of Jewish comedians in America. For the past century and more, American comedy has drawn its strength and soul from the comic genius of Jewish performers and writers. An incomplete listing of names makes the point: The Marx Brothers, Jack Benny, Fanny Brice, George Burns, Milton Berle, Jackie Mason, Joan Rivers, Rodney Dangerfield, Mel Brooks, Alan...

• Format: Paperback
• Language: English
• ISBN: 1586481622
• ISBN13: 9781586481629
• Release Date: December 2002
• Publisher: PublicAffairs
• Length: 384 Pages
• Weight: 2.13 lbs.
• Dimensions: 1.0" x 5.6" x 8.2"

Customer Reviews

Please buy it!

This book is full of history, anecdotes, personal stories, samples from comedians' stand-up material and movie dialog, and immigrant sociology and circumstances. He even gives details tying Yiddish language to Jewish American humor. He tells of vaudeville artists adapting to radio, then tv. So many details provided! At first I was not going to buy it (I am a frugal African American who buys paperbacks), but I am glad I did. Also, at first, I thought it was going to be too scholarly and dry, but once I got INTO IT -- I COULD NOT PUT IT DOWN!! BUY IT, BUY IT, BUY IT! And share it with your friends.

Whose "Story" Is It, Really?

This is one of only a few books which, after having read it, I wish I had written it. Of course, I am wholly unqualified to undertake such a task. However, I would have thoroughly enjoyed completing the research required and taken full advantage of every opportunity to interview, personally, as many of the Jewish comedians as possible. Also, as many as possible of the (non-performing) Jewish writers of comedy such as Larry David, Larry Gelbart, and Neil Simon. In a brilliant Introduction, Epstein observes: "The story of Jewish comedians in America is one of triumph and success. But their stage smile is tinged with sadness. It is haunted by the Jewish past, by the deep stains in American Jewish life -- the desire to be accepted and the concern for a culture disappearing -- by the centuries of Jewish life too frequently interrupted by hate, and by the knowledge that too often for Jewish audiences, a laugh masked a shudder. The comedians' story in America includes bitter encounters with anti-Semitism and the lures of an attractive culture along the way. The jokes these comedians told, their gags, and their nervous patter need to be set alongside the obstacles they overcame." In this volume, Epstein combines the skills of a disciplined historian and cultural anthropologist with a writing style which has Snap! Crackle! and Pop! Obviously, he also delights in the comic art of so many who "exemplified two great themes of American Jewish life: assimilation and the search for an American Jewish identity....Also, they made Jews proud" while entertaining them as well as ever-increasing numbers of others who also went to the movies, turned on radios and then television sets, sat in nightclubs of various sizes, and bought albums. I am so grateful to Epstein for providing throughout the book an abundance of comic material from scripts, films, published interviews, recordings, and other primary sources. He covers a period from 1890 until the present, organizing his material within four sections: The Golden Door and the Velvet Curtain (1890-1930) NOTE: Epstein creates a context frame-of-reference within which to begin to examine "the two great themes" as countless immigrants arrived in "the land of hope and tears." He then shifts his attention to The Age of Vaudeville. The Years of Fear (1930-1950) NOTE: This was a period during which there were many fears (e.g. poverty, world war, nuclear weapons, Communism) shared by most Americans. Epstein examines what he calls radio's "finest hour" as well as films which had their audiences "laughing in the dark." He then shifts his attention to the rise of the Borscht Belt. The Years of Acceptance (1950-1965) NOTE: Epstein examines the American Television Revolution and then the emergence of stand-up comedy, devoting special attention to Milton Berle, Sid Caesar, and Jack Benny as well as to Lenny Bruce, Myron Cohen, Jack E. Leonard, Buddy Hackett, Alan King, Jackie Mason, Shelley Berman, and Woody Allen. The Year

The Best Book I've Read In What Seems Like Forever

This book is masterfully written and sheer joy to read : a truly remarkable blend of laughter and insight. Just in time for the Holiday season, Dr. Epstein has given us all an evergreen gift: I've read this treasure trove three times over and keep finding golden nuggets of delight. And believe me, it will be as welcome under the Christmas tree as alongside the Chanukah menorah as this Season's perfect present!

Great Book!

I loved the jokes and stories in the book. I thought I knew a lot about comedians, but there was an incredible amount of new information and interesting explanations in this book. It's a great pleasure to read, too. What struck me most, though, was how the emotional struggles the comedians went through and how they used humor to cope with their fear and anger seems similar to the emotional struggles we're going through as Americans right now.

Excellent Read

This book is a must-read for anyone who wants to understand the complete history of Jewish comedians in America. It is both funny and perceptive. What struck me most was Epstein's assertion that America's Jewish comedians have from the very beginning used their wonderful comic skills to help themselves -- and all Americans -- through difficult times. It's a lesson that holds true even now. Especially now. Epstein's scholarship is impressive, and the great comic routines and one-liners kept me laughing and wanting more, more, more. I highly recommend it.