The Gentle Art of Making Enemies

By James McNeill Whistler

Book Overview

James McNeill Whistler's "The Gentle Art of Making Enemies" is a provocative and insightful collection of essays and lectures on art, aesthetics, and the role of the artist. A central text in the history of art criticism, this volume gathers Whistler's witty, often controversial, pronouncements on painting techniques and art theory. Dive into the mind of a master as he dissects the artistic landscape of his time and defends his own artistic vision with characteristic flair.

Explore Whistler's manifestos and critical writings, offering a fascinating glimpse into the debates that shaped the art world. More than just a collection of opinions, this book provides a window into the creative process and the challenges faced by artists striving for innovation. Perfect for anyone interested in painting, art history, or the development of modern aesthetic thought, this carefully prepared print edition ensures the enduring legacy of Whistler's ideas remains accessible.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

• Format: Hardcover
• Language: English
• ISBN: 1023044269
• ISBN13: 9781023044264
• Release Date: March 2025
• Publisher: Anson Street Press
• Length: 312 Pages
• Weight: 1.35 lbs.
• Dimensions: 0.8" x 6.1" x 9.2"

Customer Reviews

Lessons from the master

James A. MnN. Whistler had many talents. His best-known, today, was his skill as a painter, exploring new uses for the medium once photography started to claim literal realism for itself. In his day, though, Whistler achieved some fame for his ability to irritate the art establishment of the time, and for his knack of keeping himself at the forefront of public awareness. This book documents those secondary skills. Nearly all of the content reproduces series of letters to editors of major newspapers, arranged here by Whistler to ensure that he has the last word in each debate. It seems to be a lost art these days, but mighty battles were once waged in the letters columns, with volley after volley of thrust and counterthrust, all in correspondence that drips with elegant vitriol. One could almost see the borders of the news-sheet as the ropes around a boxing ring, with a editorial referee ensuring a clean fight and an entertaining public spectacle. Although many critics attracted Whistler's public scorn, John Ruskin capped Whistler's career as enemy-maker. After Ruskin maligned one of Whistler's "Nocturnes" in public, Whistler sued him for libel. Whistler won the judgment. With typically British understatement, however, it chastised him as well: he was awarded an entire farthing in damages, a fraction of a cent, but was nearly bankrupted by court costs. Whistler composed this collection largely as a tribute to the glory of Whistler, and that contributes to its enduring entertainment value. Artists from Benvenuto Cellini to the current day have autobiographically publicized themselves; self-publicity seems a required skill for any successful artist. Whistler's unique skill lay in garnering publicity through these refined and public matches of wit against acid wit. These don't just amuse, however, they also help modern readers realize the artistic and social context in which Whistler redefined what painting could be. - wiredweird