The Fratricides

by Nikos Kazantzakis

Book Overview

Against the background of the Greek civil war of the late 1940s, Captain Drakos, son of the local priest Father Yanaros, has taken to the mountains with a group of villagers and joined the Communist... This description may be from another edition of this product.

• Format: Paperback
• ISBN: B000I4V9Z8
• Release Date: January 1964
• Publisher: Simon and Schuster
• Weight: 0.70 lbs.

Customer Reviews

Village Life, Oppression, Struggle for Life

The life in the village revolves around the seasons, with accurate and colorful detail one senses the natural flow of "the way it should be" however there is an ominous "presence" that threatens the natural order of things ... The main characters are Father Yanaros and Captain Drakos, and the supporting cast includes, Leonidas the student, Hadjis the well-traveled one, Kyriakos, and Dimos an elderly peasant, Panagos (the barber), Kosmas, Stratis. Levi and a variety of others who feel like real people.. The struggle for freedom and the need to sustain life during oppression and occupation is intensified and illuminated. The resolution of social problems and role of religion and the church in balancing the good and evil in society is the main theme. The battle of the spirit against human frailties is Kazantzakis' constant theme ... he excels in this area. This novel exemplifies the dynamic powers of description and characterization that has won Kazantzakis world-wide acclaim. Highly recommend this book to those who want to understand the constant battle to live in the midst of oppression. Erika Borsos (erikab93)

only one pot of basil in the whole village

Perhaps the least well known of Kazantzakis' bleak beautiful epics, The Fratracides is as in-depth examination of the effects of oppression as I have discovered. The book is set in a mountain village in Greece during the Turkish occupation. While on the surface it is about a revolutionary faction and it's resistance to the occupation and the villager's resistance, and occasionally support, of that faction, the book also operates on several, more intriguing levels. It examines the different human responses to domination as clearly as any sociology book, but with characters, words, and images that worm their way around your head in a way no textbook ever could. The fatalism of the of the literally hungry violence-sick villagers, the power-hungry priest grabbing at straws, the zeal of the revolutionary leader, the sensual despair of the town Magdalene; the characters manage to function symbols of human reactions as well as fully dimensional people. Kazantzakis is the master of the life of the world vs. the life of faith dilemna and that dynamic most certainly plays out in this work, though in a different way than in most of his other writings. It is not just one person struggling with the meaning of faith, but a whole community embodying the various aspects of that particular drama. The Fratracides is, I would say, the hardest of Kazantzakis' fictional writings in the sense that he gives the reader very little to hope for. But, when you stop to think about it, how appropriate. Occupation and violence are not necessarily situations in which hope is a facile option. The writing is solid; Kazantzakis has the profound ability to distill human experience emotion into dense stones that pave the villages and hills where the action takes place. The Fratricides is unique in it's ability to be spiritual without being dogmatic, analytical without being dry, and thouroughly beautiful both in story and writing.