The Faces of Fantasy

By Patti Perret

Book Overview

In 1984 Patti Perret produced The Faces of Science Fiction, a book of photographs of science fiction writers that became an instant classic, garnering praise from authors and critics alike. Patti... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0312861826
• ISBN13: 9780312861827
• Release Date: January 1996
• Publisher: Tor Books
• Length: 229 Pages
• Weight: 2.80 lbs.
• Dimensions: 11.5" x 0.8" x 9.0"

Customer Reviews

Disturbing the Natives

Look at their faces, at the set of their mouths. We've disturbed them in their native habitat. They are tolerating us for a moment, allowing us a brief glimpse before they scatter back to Prydain, to the Dreaming, to Deverry, to Darkover. None of them are ten feet tall, or look capable of much in the way of magic. But look at their faces. Look at the set of their mouths. They've been somewhere we can only hope to visit, secondhand, by the magic that flows from their pens. Look at their faces.

Interesting, but could be better

In 1984, photoessayist Patti Perret and (the now vanished) Bluejay Press released a collection of photographs entitled Faces of Science Fiction. The book instantly became a collector's item and used for autographs at science fiction conventions. Twelve years later, Tor has come out with Perret's companion volume, The Face of Fantasy. Perret's book is filled with a random assortment of more than 100 modern fantasy authors. Each author received one page in which to describe who they are, their philosophy, or anything else that seemed appropriate. Although it is nice to hear from the authors about themselves in their own words, it might have been nice to have a little more editorial content, especially, for instance, in the case of Edward Whittemore whose page simply reads, "Edward Whittemore passed away." Most of the images in the book are nice and clean, if not particularly imaginative. One jarring exception is Perret's blurry time exposure of Joel Rosenberg which makes him look like he moved when the picture was taken and Perret only had the single shot. Since there is no explanation for the selection of this picture, the reader is left wondering why such a poor photograph was used, assuming the purpose of the book is to permit fans to see what their favorite author looks like. Perret fails to provide an explanation for her selection of authors, either. Did she chose certain authors because she happened to have pictures of them lying around? Because those were the authors who responded to a questionnaire? Because these are the authors Perret, herself, reads? No criteria is given for the sometimes strange selection. The pictures also appear to be arranged at random. They are not in alphabetical order or chronological order. While this is not a tremendous drawback, sorting the pictures in a logical manner would do away with the need for the index at the end of the book. However, for all its drawbacks, The Faces of Fantasy, is a fun book to have, providing pictures of more than 100 fantasy authors from Lynn Abbey to Jane Yolen. And, of course, it makes a great place to keep all those autographs.