Jenny Lin explains The Etudes Project's genesis: "I have always been fascinated by the intricate history of piano tudes, and how throughout written music it has continued to be one of the most important genres in keyboard literature. How did we get from Bach's Clavier- bung to Philip Glass's Piano Etudes? And where is the form going now? I hope to explore these questions through The Etudes Project." Rather than provide a specific tude prompt for each member of ICEBERG, Lin gave them free rein to challenge her technique. Then, after the pieces were written, she paired each new work with an existing "partner" tude from the Western canon (including works by Messiaen, Glass, Ligeti, Unsuk Chin, Debussy, Ruth Crawford Seeger, and others) with which she, and each composer, found a kindred musical relationship. ICEBERG New Music's Alex Burtzos explains, "Jenny and the ICEBERG member composers have gone back and forth for over a year about every aspect of this album - from specific technical questions about the pieces themselves to questions regarding their companion repertoire works and ordering in the finished program. What listeners will hear in the album is the result of 11 artists thinking deeply about the tude as a concept, and their personal places in the ongoing history of the genre.In the 10 new works, the ICEBERG composers explore everything from aleatoric atmospheres to Chicago house music, forcing Jenny to demonstrate her immense virtuosity in a variety of different styles. This, we think, is a new approach to designing concerts (and albums), one that challenges artists and rewards listeners by demonstrating the depth and breadth of contemporary composition."
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