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Paperback The Ecclesiazusae Book

ISBN: 1276467885

ISBN13: 9781276467889

The Ecclesiazusae

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Book Overview

"The Ecclesiazusae" (Assemblywomen) by Aristophanes is a hilarious and thought-provoking comedy from ancient Greece. Written in the 4th century BC, the play centers around Praxagora, who leads the women of Athens in a plot to overthrow the male-dominated government and establish a new order based on communal living and gender equality.

Aristophanes uses wit and satire to explore themes of political power, social reform, and gender roles. The play is renowned for its farcical situations, clever wordplay, and outrageous humor, offering a glimpse into the social and political concerns of ancient Athenian society. This edition brings this classic comedy to a modern audience, retaining its original charm and relevance.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Customer Reviews

2 ratings

Sex and Communism--Could you ask for more?

Aristophanes is at the top of his form here, despite what some critics say. His lampooning of several ideas floating around Athens at the time(women's rights, communism, free love, etc, to use modern terms) is hilarious, and this praise is coming from an avid supporter of everything he's satirizing. The raunchy sex jokes are just as entertaining and twice as intelligent as anything coming out of Hollywood these days, and the political humor teaches one a great deal about contemporary events in Athens. The actual political and social order depicted in the play is very reminiscent of Plato's Republic(written later); as the previous reviewer has stated, this play is excellent in conjuction with Plato's writings on the subject. A class dealing with both works was how I came across this play in the first place, and it provided excellent fodder for discussion.In terms of this specific edition, Mayhew translates every joke with absolute faith to the witty, vulgar original. The footnotes are unobtrusive, but they provide just the right amount of explanation of obscure references and odd figures of speech. They even mention which sections were expurgated by uptight Victorian translators! Accept nothing less than this version. (PS: If you loved this play, Lysistrata is at least as good, if not even better.)

Middle Comedy never looked so new!

A specter is haunting Athens, the specter of communism.This premise animates the plot of Aristophenes' comedy "Ecclesiazusae" (or "Assembly of Women"), wherein the heroine Praxagora leads a conspiracy of hags dressed as men to vote themselves into power. Fresh from her victory, Praxagora unveils her plan for a brave, new world where all property, children and sex are held in common. What follows is an uproariously funny, shockingly vulgar, tremendously insightful satire of communists and the logical consequences of their ideology.Mayhew's translation and introduction would make for a perfect adjunct to any discussion of Plato's *Republic*, especially in an introductory Greek Lit & Civ course. First, Aristophenes has arguably innovated aspects of communism that would later influence Plato. Second, the play contains so many allusions to contemporary events (helpfully explained by Mayhew), that it provides a useful introduction to ancient history, political philosophy, and dramatic literature. Last, the comedy is funny enough for anyone (particularly sophomores!) to enjoy, and if it's the only play they actually read, they'll know something important about ancient Athens, thanks to the guidance of Robert Mayhew.
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