The Death of the Lion has enjoyed generally favorable criticism over the decades. Reviewers have admired the tale's sardonic, tartly comic view of literary "lionization" by unknowing and careless admirers, who may have only the slightest (if any) acquaintance with the lionized author's works. Frank Kermode, for instance, in his introduction to a Penguin collection which includes the story, appreciated James' "achievement of rendering a tragic donn e in the mode of irony and even, at moments, of farce.
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