In the summer of 1958, jazz and blues historian Samuel Charters traveled with Ann Danberg to Andros, a remote island "on the wrong side of the wind" in the Bahamas. Living within a small local community descended from a handful of Bahamian slaves, they discovered how the unique historical fusion of disparate cultures on Andros, from Africa and Europe, had resulted in a wealth of traditional music that had stubbornly resisted the influx of modern...