The Complete Talking Heads

by Alan Bennett

Book Overview

Alan Bennett's award-winning series of solo pieces is a classic of contemporary drama, universally hailed for its combination of razor-sharp wit and deeply felt humanity. In Bed Among the Lentils, a... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 031242308X
• Release Date: May 2003
• Publisher: Picador
• Length: 208 Pages
• Weight: 0.45 lbs.
• Dimensions: 8.5" x 0.5" x 5.5"

Customer Reviews

Great and Unusual Collection

Although this collection doesn't seem to be very well-known, I loved it, and enjoy teaching it with my Honors English class (high-school). The series was first written for television, I believe for a BBC series; in each episode, a single character, placed in a small variety of settings, speaks directly to the camera. Each story consists of one character discussing an episode or series of related episodes in his or her life; the interesting part (and the part that makes this so great for teaching) is that we hear only one character's perspective, and so need to evaluate his or her credibility and level of self-awareness; often, we also need to attend to small cues to figure out the whole story. Very enjoyable, as long as you are willing to do some digging and re-reading.

If you're a lover of characters, if you're a writer, if you're...

I was lucky enough to see the original broadcasts of these mini-plays in the UK in early 1989, and I found a copy of the telescripts at Foyle's and snapped if up. For the uninitiated, these pieces aren't just monologues, they're little separate worlds, each peopled by one character who tells his/her story. In "Her Big Chance", Leslie (a sparklingly ditzy, yet deeply innocent Julie Walters) tells us how exciting and "really interesting" it's been, working on a big film (as "Topless Girl #2, it turns out). "Are we on cans, Roger, I said, because if we are, I'd just like some direction..." Deluded but optomistic, she sits, all dolled up and thrilled, waiting for the call to stardom that will never come, while the crew is out on the bay filming "establishing shots". In "A Cream Cracker Under the Setee", an elderly woman who's fallen and can't get up, muses on her now-dead husband, and conceives of the notion--as plain to us as her predicament--that she tidied herself out of a marriage. My favorite, "Soldiering On", is told in the jaunty, bucked-up words of a comfortable Home Counties matron whose husband's just died, and whose son, Giles, has kindly taken over the finances: "No can do, mummy, we must tighten our belts!" A year later, in a boarding house, she admits, sheepishly, that "I suppose Giles has been a bit of a scamp--". Meanwhile Margaret, her lumpish, virtually catatonic daughter, has for some reason blossomed after her father's death. Then the other shoe drops... "How do I feel? Sorry for her, of course. Sorry for HIM, too, come to that..." And then, holding up a Walkman: "This is my new toy! I get tapes from the lending library in the High Street. And I'll listen to anything. No fear....Fan!" And then: "I wouldn't want you to thing I'm a tragic woman. I'm not the type..." Maybe I've quoted Bennett wrong--my copy's still packed away from the last move. There are several other "stories"--some funny, some apalling, but all laced through with gentle pathos, and a very BRITISH knowledge of some very universal foibles. And that's why Alan Bennett is still the best, as David Sedaris is here. Each man knows us all to be both the victims and instigators of our own fates.

The Teddy Bear with Laser Eyes

Alan Bennett has been called England's National Teddy Bear, so beloved is his work and person. It's a sweet moniker, but misleading to those who may not have yet read Bennett. Insightful and compassionate with a wit so sharp it effectively amputates sentimentality, this is a Teddy Bear with laser eyes and sharp claws that are only just retracted. Bennett's character sketches in Talking Heads are devastating. The grown man whose safe little existence begins to unravel as he discovers his dear old mum has taken a lover, the vigilent, upright busybody who ends up in prison for invading her neighbor's privacy, the widow of "Soldiering On" whose emptiness of purpose is revealed through her inability to grieve--each uncomprehending character Bennett has created in these astonishing soliloquies is undone by his or her brave and steadfast unwillingness to acknowledge the bare-knuckled truth of human emotion.Bennett is not cruel in revealing the weaknesses of his characters, but he is uncompromising in revealing those weaknesses. This is the Teddy Bear who brings to the picnic the sharp knives that cut through the bread and fat prepared and packaged by his companions.Also recommended are Bennett's Writing Home, The Clothes They Stood Up In, and any and all of his other plays, particularly The Old Country; and, for those who just must have the soft and fuzzy version of the Teddy Bear, listen to Bennett's reading of Winnie the Pooh, or go see his stageplay of The Wind in the Willows.

These people are everywhere

I suppose I am a bit biased because I grew up in the same town as Alan Bennett (Leeds, Yorkshire) but this book is truly remarkable. The characters are a mixture of people we all know. A chip in the sugar is the man who lives down the street, A lady of Letters is always in the post office (usually in front of me !). All these people exist, what Alan Bennett does is drag them out of their lives and our heads and put them there in front of us. We may read about them and dismiss them as characters in fiction but they all exist and in most cases there's bits of them inside each of us. Thanks Alan Bennett for entertaining us and teaching us at the same time.

British Genius

I can't believe I'm the first person to review this masterpiece! Maybe it's because Bennett seems so very British, English even, that he's not appealled to American readers. I'm sure you're missing something worth having. Bennett is a masterful observer of character and the six monologues gathered in this collection all display strong characters revealled with a sharp eye and a compassionate heart. Bennett is witty and controlled in his approach, allowing his characters to reveal themselves and their foibles subtley. I find these little tales deeply moving as well as funny, despite the apparently mundane subjects he's dealing with. I can't think of a comparison to make to illuminate his style, especially since monologue is very rarely seen these days. I can see an affinity to A. Maupin and R.Rodi in terms of waspish observations of people and their social milieu. Bennett's characters aren't blatantly queer like Maupin's or Rodi's, they're not young and tre! ndy things either, but Bennet's own sensibilites and sensitivities give queer readers pause for thought, especially about the older, isolated members of society.He takes us right inside the heads of six very ordinary people and lays bare their lives, their self-delusions and their petty snobberies in their own words. The texts were originally written as television plays and were broadcast on the radio by the BBC too, however, they work perfectly well on the page, rather like short stories. Why not try it and see for yourselves!