Broadway Musical: A Critical and Musical Survey

By Joseph P. Swain

Book Overview

To see a Broadway musical is to experience how a drama, using melody, harmony, and rhythm, evokes the emotion needed to perpetuate a story line. Without music, many of these plays would not succeed, failing to convey the intended message. This new edition of Swain's classic text, winner of the 1991 ASCAP Deems Taylor Award, reveals how a musical drama achieves plot movement, character development and conflict through strategic placement of song and music in 20 musical plays. Unlike critical literature that has simply explored theatrical style and production histories, this survey focuses mainly on the power of music. Illustrated with more than 150 musical excerpts and essays, Swain includes the latest research and viewpoints of contemporary critics, offering insight into dramatic expression and how renowned composers including Jerome Kern, George Gershwin, Jerry Bock, Stephen Sondheim and Andrew Lloyd Webber influenced the Broadway musical.

This provides insights into the many impressive musicals to hit the stage between the years of 1927 and 1987, illuminating how specific revisions to productions such as Showboat and, Oklahoma forever changed their popularity. Learn how music is used as a symbol for psychological or emotional action from Shakespearean drama's such as Kiss Me, Kate and West Side Story, to more current dramas including Godspell, A Chorus Line, and Jesus Christ Superstar.

Replete with a never seen before essay on Les Mis rables, this edition also includes an expanded epilogue highlighting the phenomena behind Miss Saigon and Phantom of the Opera, "megamusicals" that changed the direction of the Broadway tradition.

For professors of dramatic arts and people interested in Broadway musicals, theater, popular music and opera.

• Format: Paperback
• Language: English
• ISBN: 0810843765
• ISBN13: 9780810843769
• Release Date: January 1
• Publisher: Scarecrow Press, Incorporated
• Length: 464 Pages
• Weight: 1.56 lbs.
• Dimensions: 1.4" x 6.2" x 9.0"

Customer Reviews

Indispensible

This is one of the best books on musicals that I know of. It's serious about book, lyrics and music alike, and full of insight.The heart of the book is a series of studies of important musicals, one by each of a series of important writing teams (Kern/Hammerstein, Sondheim, Kander/Ebb, Rice/Lloyd Webber, Bock/Harnick -- Rodgers and Hammerstein get two chapters because of their importance). For each show, we get some interesting historical background, an outline of the plot, and detailed analysis of the music. The analysis is quite technical, but readable, and anyone can learn from it. Most importantly, it's not a dry analysis. The question Swain asks throughout is the question all musical writers should be asking themselves: how does the music help the show tell the story it wants to tell?He's not afraid to make strong judgements, either. He praises Jesus Christ Superstar for its eclectism and atmosphere, but considers that the reuse of tunes in different contexts in Evita robs them of narrative power; on this basis, he judges Evita a (relative) failure. His review of A Chorus Line is so hostile that the authors, uniquely for the shows under review in this book, refused him permission to use extracts from the score. Yet even in this review there's insight and sympathy. Read this book. It will educate your ears. You'll approach all musicals more intelligently after reading it.