The Book of the Dead Man

by Marvin Bell

Book Overview

This book provides comprehensive guidance on maintaining old waterfront structures, particularly gravity walls constructed with stone masonry, brick, blocks or mass concrete. It will be valuable for... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 1556590636
• ISBN13: 9781556590634
• Release Date: January 1993
• Publisher: Copper Canyon Press
• Length: 80 Pages
• Weight: 0.35 lbs.
• Dimensions: 0.3" x 6.1" x 9.0"

Customer Reviews

A contemporary Pilgrim's Progress

Literature has its heroes and its antiheroes, but now it has its first non-hero, the "dead man," who is the title character of the poems in The Book of the Dead Man. This incredible and puzzling person journeys through the limbo between the end of life and the beginning of death. As author Bell states in the book,"The dead man is perfected fallibility." Quotes by other people on the back cover imply that it is a spiritual work, but is that really, or only, what it is? As I read it, I thought of it as many different things. It's a contemporary Pilgrim's Progress, in which the non-hero's progress occurs at the end of life/the beginning of death. It's a litany of the saints, but the non-hero is the only person sanctified, not by doing good works, but by living and dying. It's a comic opera, a Shakespearan tragedy, and a tall tale, all intertwined in a sequence of poems. Ultimately, it seems to be an epic poem that begins, as epics do, in media res, and finds its meaning in a beginning that is a never-ending end. It's an epic of fragmented ideas and images that depicts a faceless Ulysses as Everyman turning into No Man. In contrast, two other American epic poems come to mind. In Walt Whitman's Leaves of Grass, the poet is the hero celebrating himself and his country. In William Carlos Williams' Paterson, the city itself is the hero celebrating its history and its people. In The Book of the Dead Man, the dead man is the non-hero celebrating nothing more and nothing less than the enigma of life/death experienced in the ordinary and the extraordinary aspects of being human. There are few heroes and anti-heroes in real life. Like the dead man, most of us are non-heros. In the character of the dead man, Bell has discovered a brilliant vein of literary gold that enables him to mine thoughts that take us to a convluted place in which life and death twist around and connect at their ends like a cosmic Moebius strip. This paradoxical book takes you, line by line, to the twilight world of the dead man, where one question rises above all others to haunt you: Is he dead? And there is another question that haunts the first question: What does "dead" mean? Read the book, and you'll find new answers on every page. One of its wondrous paradoxes: It is a warmly chilling odyssey.

The dead man may be wrong or right, but he doesn't lie.

I hate hype, but I believe TBOTDM is essential reading for mortals. Much has already been made of the implications of the "form" of these poems. Okay, they're unique. But the interesting part is that the Dead Man sees things from both sides. . .and the dead man never lies. Take those propositions to your logic teacher and you'll soon be glad for a poet like Marvin Bell. Anyone who doesn't "get" poetry, or who loves poetry, but is fixated on the question "what is it?" will be startled. Read it twice, then read Bell's sequel, "Ardor." You'll get it, whatever "it" is.