Kristeva stresses that cinema has the power to bestow desiring subjectivity as a way of resisting the society of the spectacle through the specular. Through analyses of complex films such as Streitfeld's Female Perversions, Lynch's Mulholland Drive, Almod var's Volver, and Haneke's Cach , The Blue Box: Kristevan/Lacanian Readings of Contemporary Film demonstrates Julia Kristeva's concept of the "thought specular," from her fascinating chapter "Fantasy and Cinema" in Intimate Revolt. Kristeva deserves our full attention as a film theorist.