The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library
T025491
With a half-title.
London: printed for Bernard Lintott, [1707]. [8],72p.; 4
well the beaux stratagem apart from being difficult to spell is difficult to sift through, although when you manage to get past the confusion of the rapid scene changes, it is indeed a very rewarding drama. The names are an interesting starting point, they all have meaning and are essential to buildiong of character, such as 'archer' and 'aimwell' which are hunting for women and fortune. Brimmed full of shady characters and excititng senarios, this restoration drama is brilliant at mocking society and marriage, or loveless marriage. aimwell says in act 2 scene 2 'pshaw! no women can be a beauty without a fortune. Let me alone for i am a marksman.' and this loveless marriage is also personified in mrs Sullens unhappy marriage. theses are just a few specifics which is why i love the beaux stratagem. It may not be as blatantly witty or clever as any work belonging to oscar wilde, but it carries a certain charm and excitement which wildes plays do not. i would recomend this to experienced literature lovers, it takes a certain amount of close study of the text to really enjoy, but beginners this might be slightly heavy.
i was amused
Published by Thriftbooks.com User , 23 years ago
Easily one of the best to come out of the Restoration period. It ist funny, though not as full of comical devices as The Man of Mode or the Country Wife, but what I like especialy about it is the unusual way the play deals with the problem of marital disharmony. Farquhar treats his characters with a certain sympathy and thereby surpresses the malicious and insipid tone that is so typical for earlier Restoration plays. If you like reading plays written and performed in the 17th century, buy this one if you haven't allready.
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