The Bear Comes Home

by Rafi Zabor

Book Overview

The hero of this sensational debut novel is an alto-sax virtuoso trying to evolve a personal style out of Coltrane and Rollins. He also happens to be a walking, talking, Blake- and Shakespeare-quoting bear whose musical, spiritual, and romantic adventures add up to perhaps the best novel, ursine or human, ever written about jazz.

• Format: Paperback
• Language: English
• ISBN: 039331863X
• ISBN13: 9780393318630
• Release Date: September 1998
• Publisher: W. W. Norton & Company
• Length: 492 Pages
• Weight: 1.25 lbs.
• Dimensions: 1.2" x 5.6" x 8.6"

Customer Reviews

What a way to run a planet...

Every time I start talking about this book I get so excited that I flip out ALL the time and I end up knocking myself off of my own soapbox. All I can tell you is this: I bought this book and I read it. Then I went out and bought copies of it for my best friends. This is the best book about living, loving (she's just a woman), art, and jazz-sax-blowing, talking quadrupeds on the planet. It is totally sweet AND awesome. We owe Rafi Zabor a debt of gratitude for his insights.

Rafi's writing remains true to the jazz idiom

A lineage between Rafi Zabor's disc jockey work at KGNU in Boulder, CO; his drumming; and his writing all stay true to the spirit of jazz - abstract, cerebral, and improvisational. However, his real gift is to tie these divergent activities into a message that viscerally connects to the audience. Zabor's ability to take an artistic vision and convert it into an emotional chill-up-the-reader/listener's-spine is what jazz is all about. Improvising and abstracting a story of the jazz life using "a bear" as the main riff, is what makes Zabor's writing read like good jazz sounds.

Zabor writes like the Bear plays: pure fluid jazz.

Rafi Zabor takes us on two magical journeys without us even knowing it. The first is the material world in which the bear lives in, complete with all his struggles and triumphs. The other is the world inside Bears head. Zabor writes the two so seamlessly together that you never notice where you are at the time. The flow of the narrative resembles that of a jazz solo: always testing new borders and limits but never breaking our attention span. Zabor goes off on character thought tangents with the greatest of ease, painting a delicate picture of each character. One memorable example of this is the Bear's romp through the woods midway through the book. He returns to the woods to reflect on past events. The author so ingeniously weaves the details of the physical environment with what the Bear is thinking at the moment and why. This is a beautifully crafted book that never ceases to lose our imagination in its musical flow, like honey on the brain.

realistic - and magical

This is a hellaciously entertaining read: funny, melancholy, erotic, scathingly satirical. And the language occasionally reaches magical heights of realism. There are webs of words in here that will give you glimpses of actual experience itself - surely the ultimate writer's conjuring trick. The book's hero incarnates an audacious leap of the imagination: he's a Caucasian circus bear, who can talk, reads literature, studies mysticism, and... plays the alto sax. The Bear heightens the duality of human nature - part angel, part animal - in order to explore it. It's a satirical premise that illuminates many of the contradictions lurking in the depths of our contemporary social mythos - our ambivalence towards Nature red in tooth and claw, our reduction of even the most transcendent art to commodity, our acceptance of lives that are pale shadows of their potential. If you've ever wondered what it's like to be a professional musician, The Bear Comes Home will satisfy your curiosity. If you've ever been involved in the performing arts, you will recognize many of the situations. Among its many treasures, The Bear is stunningly effective as an evocation of the seemingly constant frustration and occasional epiphanies of the creative process. It's also a dead-on portrait of the jazz life, a deeply felt exploration of the complexity of human relationships. Most amazingly, The Bear himself never collapses into a man in a bear suit. It's not that tough to devise and describe an unusual protagonist. But by the third act, even faerie queens and immortal vampires descend to the same petty, mundane emotions that drive your personal soap opera as relentlessly as they do mine. The Bear is different. Although the situations he lives through are achingly human, The Bear is never quite, no matter how much Rumi he reads, how deeply he loves, how fanatically he explores the possibilities of his horn. You've never met anyone quite like The Bear, and unless you read this book, you never will.

Great book for musicians or anyone musically inclined.

Every musician or anyone who believes they have a special harmony with music should read this humorous, insightful and moving book.The author does a good job of digging deep into the higher meanings of music and life, but knows when to pull in the reins at the right moment (Isn't that right, Bucky?) And anyone who can write a book that holds James Garner's Rockford Files, Thelonious Monk and great German philosophers in equal regard can't be all that bad.I think this is mentioned on the back cover, but it bears repeating: Like a good solo, the author throws in every lick he knows and avoids cliche's. One of my favourite images of the book is the bear teaching a "bird" in the woods Monk's "Well You Needn't." It had its blatent and hidden messages, but, when at the end of the book the "bird" returns to haunt the bear with the half learned tune ("Need - n't") and the bear replies, "Well, at least it isn't 'Nevermore'," we smile. It is like throwing "Here Comes the Sun" in the middle of a solo during "Summertime". It is immediately recognizable and appreciated. We all are in on the joke.Although some of the Monk and jazz analysis went over my head, I found the book enjoyable from start to finish. The only exception being the sex scene between the bear and his human girlfriend in graphic detail. They were two of the hardest pages to get through and I'm still wondering why the author felt he had to include it in the book. Perhaps it was to show the bear not as this mystical musical being, but something more normal, more flesh and blood.Read this book, pass it on or buy it as a present for the musician in your life (they'll love you for it). However, be prepared for the perplexed looks and stares when you start describing this "book about a saxophone playing bear.... No it's not a children's book..."TSM