The American Songbag

By Carl Sandburg

Book Overview

"The American Songbag" is a monumental collection of folk music and ballads compiled by the acclaimed poet and biographer Carl Sandburg. This expansive anthology serves as a vibrant cross-section of American life, featuring a vast array of songs, ditties, and ballads gathered from across the North American continent. Sandburg meticulously curated these pieces from various walks of life, including pioneer songs, spirituals, sea shanties, railroad chants, and blues.

The work provides not only the lyrics and musical notation but also Sandburg's evocative commentary on the origins and cultural significance of each piece. It captures the raw, authentic voice of the American people-from hoboes and cowboys to laborers and soldiers. By documenting the oral traditions of the early 20th century and before, "The American Songbag" preserves the lyrical heart of the nation's diverse heritage. It remains a foundational resource for musicians, historians, and lovers of American folklore, offering a unique glimpse into the stories and melodies that shaped the national identity. This collection is an essential celebration of the human experience as expressed through the enduring power of song.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

• Format: Hardcover
• Language: English
• ISBN: 1025270630
• ISBN13: 9781025270630
• Release Date: February 2026
• Publisher: Tradd Street Press
• Length: 524 Pages
• Weight: 1.99 lbs.
• Dimensions: 1.1" x 6.1" x 9.2"

Customer Reviews

Bedrock of American folk singing

Back in the early 1960s when I was a high schooler getting into music, I took this book out of the library and took this book out of the library, and took this book out of the library. People trying to find great folk songs with both wit and wonder and laughter, heart ache and beauty probably have been doing this since Sandburg published this book in the 1920s. Being so familiar with this book, back in the day, and still today, I can identify different folk singers who have a repertoire of traditional songs by the ones who like myself studied this book and learned to play its songs, and those who had learned from the Lomax Collections, though in all the big Lomax books, there were credits to the inspiration and work Sanburg put into this book, as well as songs taken from this book. Sanburg wasn't a folklorist, but a poet and someone who liked to sing these songs and play the guitar. He includes a few songs that aren't folk by any description like the very funny "Horse Named Bill" written by a friend of Sandburg's named Sinclair Lewis whom you might heard of! The legions of folkies who once had only this book and the Lomax collections have spewed forth generations of serious scholars of folk music in this country and the world. Specialized monographs can be found on Kentucky fiddling or the musics of Mali, on down picking banjo, and Black song before the blues. With the specialization that has developed over the decades, few would even attempt to write one book and call it the American Songbag. Especially if you like to sing and play, this book will take you back to an easier time, with some good songs. You will be surprised at how many of them you know the tune to, even if you can't read the music!

Literature? Folk Song Anthology? Both!

An absolute classic of American arts and letters, the "Songbag" has been cited by traditional musicians including Pete Seeger and Bob Dylan. It's a primary source of American cultural heritage.

Sucking Cider Through A Straw

Compiled with difficulty and a lot of elbow grease during the years when American master Carl Sandburg was also writing Rootabaga Stories, Abraham Lincoln: The Prairie Years and poetry volume Slabs Of The Sunburnt West, The American Songbag is one of the many valuable gifts Sandburg produced for the American people. A collection of 290 "songs, ballads, and ditties," each entry consists of the extended lyrics and "complete harmonizations or piano accompaniments."These folk songs are grouped under loose headings such as 'Dreams And Portraits,' 'Pioneer Memories,' 'The Big Brutal City,' 'Picnic and Hayrack Follies, Close Harmony, and Darn Fool Ditties,' 'The Great Open Spaces,' 'Hobo Songs,' and 'Tarnished Love Tales And Revolutionary Antiques,' and 'Mexican Border Songs' among others. Many, understandably, have a British origin - 'The Foggy Dew,' 'Barbara Allen,' 'As I Was Walkin' Down Wexford Street,' 'Pretty Polly,' and 'The House Carpenter' - while the origin of others, like 'The E-RI-E,' 'The Ballad Of De Boll Weevil,' and 'The Buffalo Skinners' seem to be distinctly American. 'Turkey In The Straw,' however, like "When The Curtains Of Night Are Pinned Back,' is a "classical American rural tune," and "as American as Andrew Jackson, Johnny Appleseed, and Corn-on-the-Cob." Sandburg provides a brief introduction to each song, many of which are informative, while others are humorous and so idiosyncratic that each only muddies the waters of clarity if taken at face value. American music lovers may believe that 'Shenandoah' is a wholly American creation, but Sandburg sensibly suggests that the original may have referred to the name of a foreign ship or an Indian chief, rather than to 'the Historic Virginia valley.' 'She'll Be Comin' Round The Mountain" was adapted by mountaineers from the "old-time negro spiritual" 'When The Chariot Comes.' 'The John B. Sails' has its origin in the West Indies. Sandburg seems to be underscoring the fact that most songs, like most people, come from somewhere else; origins are often hazy and partially a result of wishful thinking. Musicians, educators, and youth leaders should have special interest in this book, which is as pure a piece of Americana as Duncan Emrich's Folklore On The American Land. The American Songbag will also thrill lovers of Americana and those searching for a legitimate, productive, and useful avenue into our country's history. Highly recommended for all audiences.

A Treasure

Sandburg's American Songbag is a national treasure. I suppose the words and music of these 280 songs, ballads, and ditties that people have sung forever could be found elsewhere, but where? This important work, which breathes life back into some of the most memorable old songs, was originally published in 1927.

Wonderful! Essential for any Sandburg enthusiast!

A terrific collection! For those who would like to hear Carl Sandburg actually singing his own songs, I recommend "The Great Carl Sandburg: Songs Of America" (see music section).