Tenorman

by David Huddle

Mixing fictional and real-life jazz greats, a novella recounts the life of an aging saxophone player as seen by a researcher and jazz fan, who persuades him to leave his native Switzerland and come to... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0811810275
• ISBN13: 9780811810272
• Release Date: January 1995
• Publisher: Chronicle Books (CA)
• Length: 121 Pages
• Weight: 0.95 lbs.
• Dimensions: 0.6" x 4.9" x 7.1"

Customer Reviews

An incredible writer

Chronicle Books actually had the gall to publish a hardcover novella and charge just under $13 for this one, single story. Completing a novella has to leave a writer feeling both the satisfaction of completion along with the disappointment towards the potential audience size. If you write novellas in volume, perhaps you can bundle three at a time for publishing purposes, a la Jim Harrison. Or perhaps you can also write some short stories about a similar topic or individual and package them as a collection (as Huddle did recently this year with the incredible "Not; a Trio"). Otherwise, typically you have to hope a literary journal will take a chance on this "long story.""Ternorman," the novella, is typical Huddle in that it is written with skill, subtlety, and passion. The topics are familiar, self-introspection, love, relationships, and purpose in the world. Huddle has a skill level and sureness to his writing that allows him to put things in print that other writers wouldn't try."Tenorman" is the story of Eddie Carnes, tenor saxophone player, and the Government program that has taken over direction of his life. Eddie, at age 59 is brought back from Sweden to Maryland by the Carnes Project. The NEA has funded this project, which will clean Eddie up from his drinking, and put him up in a comfortable living arrangement, recording and videotaping his every move and sound. He signs his rights away with both a shaky hand, and a great flourish.Once clean, Eddie is set up in a studio, half of which is a full scale apartment. The project buys him the saxophone he wants, one played by Stan Getz a few times and owned by a collector in Sweden. He has played this sax two times earlier in his life and knew it was the one for his future.The novella mixes his fictional life with some other fictional musicians, as well as some modern jazz greats. He produces more great music, and is wise well beyond his 8th grade dropout educational level. The relationships include those between Carnes and his standard musicians; between Carnes and Project Director Henry McKernan; between Henry and his wife Marianne; and that of Eddie Carnes and Thelma Watkins, the school teaching cousin of one of his musicians.It is during the telling of two stories between Eddie and Thelma at a dinner that the intertwining of the lives of all involved occurs. This conversation is taped by the project. Henry and Marianne listen to the tapes together and come to realizations about their marriage and lives. The conversation is a fascinating one and where I believe Huddle leaves other writers behind. Eddie's story goes back to the sixth grade and a period of time of sexual enlightenment. It involved boys and girls rolling down a hill together and the excitement and need to continue. He had never been able to find a relationship to compete with that short-lived one. Thelma also went back to childhood and the possibility of her mother cheating on her father. She had never been a

Tender, romantic and aching.

This is a fine book about music, love, vulnerability and tenderness. What you feel as you listen to the tenorman tell his lady about what is in his mind when he plays is fantastic. I hear the yearning in every horn player with a renewed imaginative curiousity after reading this book. Go from the book to listening to Gene Ammons or Ben Webster. A beautiful window into the heart.

Sweet Music

Chronicle Books is to be applauded for taking a risk and publishing an experimental little book like this. There's a place in the literary landscape for books that are off-beat-without-being-pretentious, and this is one of those books. Writing about music is a difficult task, and Huddle succeeds in crafting a story that rings true. A sign of good book to me is reading something brand-new and walking away from the experience that *this* was exactly the book you'd been looking for but had not recognized it from a distance. Bravo, Huddle & Chronicle! Keep this one in print, and damn the critics!