have tried to be fully aware of
the legacy that we carry of poetry
on the page, by being aware of
style and form all the time,
especially when trying to make
language do new things. In what I
call psycho-narration, I try to write
beyond the understanding that
the 'inside of one's head' and 'the
objective world' are really distinct
worlds. This is a form I have
grown to love more since I started
preferring the long poem format
that sits on a conversational tone.
It's a multi-vocal way of
writing or telling stories
in a less authoritative way,
a kinda voice democracy in
the poem. If we let go beyond
rational thought - or even the idea
that rational thought is a
reflection of reality - then
anything can happen."
joy has no generation gaps
nor silences in between
like broken denture. No owls'
bleak eyes blinking
when the question in the air
stings in the eye
a grip, the clasp of hands
is so strong
we're stitching the lesion to the rock
no empty klevaz
no one had become
hidden schisms, victims or slow songs
simpering like a basket
under a leaking tap
Related Subjects
Poetry