Tanakh and Bible Plagiarism Vol
Volume II continues where 1 left off. It focuses on the takeover of the story by the Gentiles, the Roman Church, and the transformation of the original Afro-Asiatic teachings. The Gentile world took control of the story, and built on the foundations of African and Afro-Asiatic knowledge. It points to the Roman empire's editors, Greek theologians, and later European scholars reshaped the ancient storyline into a new religion that served their own cultural and political needs.
This volume uncovers how Paul's Gentile religion replaced the original Nazarene- Judaites' Afro-Asiatic teachings. It shows how Rome rewrote the identity of Yeshua, transforming an African-Asiatic revolutionary into a universal savior for the Gentiles. Also Vol II addresses how the Roman Church suppressed, altered, or destroyed the writings of the original followers of Yeshua. It shows how Gentile Christianity invented doctrines that did not exist in the ancient texts. It deals with how the Afro-Asiatic roots of the scriptures: Egyptian, Canaanite, Cushite, Ethiopian and Sumerian were erased or replaced. This Volume also shows and proves how the Gentile takeover produced the Trinity, the virgin-birth doctrine, salvation-by-belief, and the spiritualization of Hebrew history. It points to how Gentile European interpreters universalized verses that originally applied only to Judaites.
Volume II shows that the Bible story as we know it today is not the story told by the original African and Afro-Asiatic people who lived it. It is the Hellenized, Romanized, Christianized, and ultimately Europeanized version that came many years later. This book reveals the moment the narrative changed hands; from the people who actually lived the history, to the people who rewrote it.
With detailed research, scriptural comparison, and historical analysis, Tanakh and Bible Plagiarism, Volume II exposes how Christianity emerged not from the ancient authors of the scriptures, but from the Gentile interpreters who remodeled the text into their own cultural image.
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