Tales of Unrest

By Joseph Conrad

Book Overview

These five stories were collected and published as Tales of Unrest in 1898, shortly before Heart of Darkness, the first of Conrad's major novels. Ranging from the faraway and unfamiliar, where the acquisitiveness of colonial adventure is damningly exposed, to an ostensibly ordinary London household, these disparate tales display Conrad's ability to explore and lay bare human nature.

Set in Central Africa, 'An Outpost of Progress' is suffused with irony and represents a ruthlessly mocking view of European imperialism. 'Karain' and 'The Lagoon' are exotic tales of the Malay Archipelago, with the former telling of disharmony and discord between Western traders and the indigenous inhabitants. 'The Return' recounts the story of, in the author's own words, "a desirable middle-class town residence which somehow manages to produce a sinister effect". The collection also includes 'The Idiots', the first of Conrad's short stories to be serialized in an English magazine.

• Format: Paperback
• Language: English
• ISBN: 1847496482
• ISBN13: 9781847496485
• Release Date: October 2018
• Publisher: Alma Books
• Length: 224 Pages
• Weight: 0.50 lbs.
• Dimensions: 0.4" x 5.0" x 7.7"

Customer Reviews

Mental Unrest

In these tales, people are put under heavy mental stress by fatal accidents, hostile environments or insoluble doubts. Their reactions become uncontrollable. The short stories give a good picture of Conrad's themes, story building with surprising outcomes and view on mankind: `Morality is not a method of happiness'. In `Karain: a Memory', a Malay war-chief makes an odyssey trying to kill a woman who left her native village with a white man. He becomes haunted by the spirit of his dead brother. In `The Lagoon', the adduction of a woman turns into a fatal accident. `There is no light and no peace in the world; but there is death - death for many. I left him in the midst of the enemies; but I am going back.' In `An outpost of Progress', two lonely `progressive' colonialists become haunted by their hostile environment; `a suggestion of things vague, uncontrollable, and repulsive, whose discomposing intrusion tries the civilized nerves.' In `The Return', a marriage turns sour on the impossible `certitude of love and faith'. In `The Idiots', a less successful offspring puts a marriage under extreme pressure. These sometimes furiously written stories with their high evocative power of landscapes, feelings and conflicts should not be missed.