In Sweet and Blessed Country, John Saward takes an altarpiece from fifteenth-century Provence as his starting-point for a theological exposition of the Christian hope for Heaven. The altarpiece, Enguerrand Quarton's Coronation of the Virgin, was painted for Carthusian monastery, and so it is monastic theologians, principally Denys the Carthusian, who guide Saward in his exploration of the "sweet and blessed country" in which the angels and saints...
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