Subject to Change: Guerrilla Television Revisited

By Deirdre Boyle

Book Overview

Before the Internet, camcorders, and hundred-channel cable- systems--predating the Information Superhighway and talk of cyber-democracy--there was guerilla television. Part of the larger alternative media tide which swept the country in the late sixties, guerilla television emerged when the arrival of lightweight, affordable consumer video equipment made it possible for ordinary people to make their own television. Fueled both by outrage at the day's events and by the writings of people like Marshall McLuhan, Tom Wolfe, and Hunter S. Thompson, the movement gained a manifesto in 1971, when Michael Shamberg and the raindance Corp. published Guerilla Television. As framed in this quixotic text, the goal of the video guerilla was nothing less than a reshaping of the structure of information in America.

In Subject to Change, Deidre Boyle tells the fascinating story of the first TV generation's dream of remaking television and their frustrated attempts at democratizing the medium. Interweaving the narratives of three very different video collectives from the 1970s--TVTV, Broadside TV, and University Community Video--Boyle offers a thought-provoking account of an earlier electronic utopianism, one with significant implications for today's debates over free speech, public discourse, and the information explosion.

• Format: Paperback
• Language: English
• ISBN: 0195110544
• ISBN13: 9780195110548
• Release Date: March 1997
• Publisher: Oxford University Press
• Length: 304 Pages
• Weight: 1.04 lbs.
• Dimensions: 0.8" x 6.0" x 9.1"

Customer Reviews

Must reading for today's videomakers

Everybody knows about the independent film movement of the 70's and 80's, but what about the people trying to revolutionize television? They're all right here -- the Videofreex, TVTV, et al, people making provocative, innovative video long before Michael Moore or the clowns on MTV. A primer for frustrating film-school students who want to shake things up.

A spirited account of the pioneers of independent video.

Great for anyone interested in radical television, especially film and TV students who don't want to spend the rest of their lives churning out bad sitcoms. A must-read for the DV generation.