Edgar G. Ulmer was a prolific filmmaker whose career spanned from the 1920s through the 1960s and included a wide range of genres, from horror to science fiction and film noir. Working both within and outside the Hollywood studio system, Ulmer developed a reputation for producing stylistically distinctive films under considerable budgetary constraints, a practice that has long made his work influential among independent filmmakers. Ulmer is most often associated with the classic horror film The Black Cat (1933), which paired Boris Karloff and Bela Lugosi, and with the noir Detour (1945), which since has received sustained critical attention. He made films specifically for Black and Jewish audiences in addition to historical fiction, adventure films, psychological mysteries, romances, educational productions, and science fiction such as Man from Planet X (1949) and Beyond the Time Barrier (1959).
This book examines Ulmer's filmography, his personal life, and the cultural climate in which he worked. It offers detailed analyses of key productions and includes interviews with, and a foreword by, his daughter, actress Arianne Ulmer Cipes. Intended for both general and academic audiences, the study examines Ulmer's works within the broader contexts of film history, genre cinema, and the socio-cultural and industrial conditions that shaped mid-twentieth-century filmmaking.