Burkina Faso photographer Sory Sanl (born 1943) started his career in 1960, the year his country (then named R publique de Haute-Volta) gained independence from France.
Sory opened his Volta Photo portrait studio in 1965 and, working with his Rolleiflex twin-lens, medium-format camera, Volta Photo was soon recognized as the finest studio in the city. Voltaic photography's unsung golden age is fully embodied by Sanl Sory: his black-and-white images magnify this era and display a unique cultural energy and social impact.
This is the first monograph on Sory's work, which examines the natural fusion between tradition and modernity. Sory documented the fast evolution of Bobo-Dioulasso, then Burkina Faso's cultural and economic capital, portraying the city's inhabitants with wit, energy and passion. His work conveys a youthful exuberance in the wake of the first decades of African independence. In many ways, Sory's subjects also illustrate the remoteness and melancholy of African cities landlocked deep in the heart of the continent.
"Mr. Sory's work documenting the cultural scene is reminiscent of that by Malick Sidib and Seydou Keita ... and now it is his turn to be lionized." -The New York Times