As we enter a new millennium ruled by technology, will poetry still matter? The Song of the Earth answers eloquently in the affirmative. A book about our growing alienation from nature, it is also a brilliant meditation on the capacity of the writer to bring us back to earth, our home. In the first ecological reading of English literature, Jonathan Bate traces the distinctions among "nature," "culture," and "environment" and shows how their meanings have changed since their appearance in the literature of the eighteenth century. An intricate interweaving of climatic, topographical, and political elements poetically deployed, his book ranges from greenhouses in Jane Austen's novels to fruit bats in the poetry of Les Murray, by way of Thomas Hardy's woodlands, Dr. Frankenstein's Creature, John Clare's birds' nests, Wordsworth's rivers, Byron's bear, and an early nineteenth-century novel about an orangutan who stands for Parliament. Though grounded in the English Romantic tradition, the book also explores American, Central European, and Caribbean poets and engages theoretically with Rousseau, Adorno, Bachelard, and especially Heidegger. The model for an innovative and sophisticated new "ecopoetics," The Song of the Earth is at once an essential history of environmental consciousness and an impassioned argument for the necessity of literature in a time of ecological crisis.
This is probably the best book I've read all year. As an English teacher, I appreciate Bate's literary sensibility, and as a citizen of the earth, I value his insights into our environment. I have recommended this book to every intelligent person I know.
'ecocriticism' comes of age
Published by Thriftbooks.com User , 24 years ago
Jonathan Bate's short book, 'Romantic Ecology'(1991) was a landmark in literary ecocriticism. In 'The Song of the Earth' Bate has developed his theme further and in doing so has produced an instant classic.The purpose of the book is to show how poetry is not only relevant but necessary in an age of increasing environmental unease. It is a manifesto for the urgency of 'ecopoetics'. Bate writes: 'This is a book about why poetry continues to matter as we enter a new millennium that will be ruled by technology. It is a book about modern western man's alienation from nature. It is about the capacity of the writer to restore us to the earth which is our home' (vii)Chapters are as follows: 1. Going, Going 2. The State of Nature 3. A Voice for Ariel 4. Major Weather 5. The Picturesque Environment 6. Nests, Shell, Landmarks 7. Poets, Apes and Other Animals 8. The Place of Poetry 9. What are Poets For?My favourite chapter is 'Major Weather' which, in some quite startling and original ways, charts the influence of climate on writing . The centre piece of the chapter is a reading of Keat's 'Ode to Autumn' as a 'weather poem', resembling 'a well-regulated ecosystem'. For Bate, the ode 'is not an escapist fantasy which turns its back on the ruptures of Regency culture, as late twentieth century criticism tended to suggest. No: it is a meditation on how human culture can only function through links and reciprocal relations with nature.'(103-4). I learned 'Ode to Autumn' as a schoolchild, and it has always stayed with me. Now I see eloquently expressed the reasons for its significance to me.Bate has set himself a difficult but worthy task, to argue for poetry as 'the place where we save the earth', that if culture is the cause of environmental destruction it can also be its remedy. This, then, is a book that should be read by everyone with an interest in literature, by everyone with an interest in the continuation of life on the planet.
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